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Results for terms:sons (people)

39 UMMA Objects (page 1/4)
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Two figures are seen riding a hoofed animal and they are facing left. The larger figure is holding the smaller figure, who is holding a red flower in his hand, and they are dressed in colorful and elaborate clothing. 
Chinese (Chinese (culture or style))
The Qilin Brings Sons (Pair with 1989/2.160)
20th century
Gift of Willard A. and Marybelle B. Hanna

1989/2.159
A woman figure is seated on a lotus flower and cradling a baby. She is dressed in a robe and wears a head scarf with the Chinese word "buddha" on it. They are surrounded by nature. 
Chinese (Chinese (culture or style))
White-Robed Guanyin Who Sends Sons
20th century
Gift of Willard A. and Marybelle B. Hanna
1989/2.144

Dotty Attie (American (North American))
Original portfolio box for the portfolio "Mother's Kisses" (acc. #s 1993/1.115.2-27)
1982
Museum Purchase
1993/1.115.28
This is an etching of an adult faun sitting to the left and a child faun standing to the right. The adult faun sits on a tree stump and holds the left hand of the child faun. There is a slender tree on the far right and additional foliage in the left side
Albert Sterner (American (North American))
Bedtime Story
1870 – 1940
Gift of Clan Crawford, Jr.
2009/1.484

Chinese (Chinese (culture or style))
The Qilin Brings Sons (Pair with 1989/2.159)
20th century
Gift of Willard A. and Marybelle B. Hanna
1989/2.160
Paper size: lh 32 7/10cm & rh 32 4/5cm x tw 25 1/5cm & bw 25 1/10cm. Image size: approximately h 18 1/2cm x w 18 1/2cm.
Pierre-Auguste Renoir (French (culture or style))
Claude with Head Lowered
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.367
At the center of the print are two faceless figures. Located in the corner of room, near a door that is ajar, the one figure is standing barefoot and wearing draped clothing. The second figure sits to the left in cushioned chair; his legs and lower arms (below his elbows) are encased in brick facade; upper arms and body are columns. The seated figure wears a top hat that is outlined in blue and there are blue dots on their bodies. Bricks on the right side of body are brown. The print is signed (l.r.) "G. de Chirico" and numbered (l.l.) "28/100" in pencil.
Giorgio de Chirico (Italian (culture or style))
Il ritorno del figliol prodigo
1929
Museum Purchase
1948/1.336
Painting of a woman holding two sleeping nude babies, wearing white fabric draped over her head and shoulders with abundant blue-green fabric wrapped and loosely gathered around the rest of her body standing in front of a lush background with areas of blue sky peaking through the foliage.
William-Adolphe Bouguereau (French (culture or style))
Charity (La Charité)
1859
Bequest of Henry C. Lewis
1895.96
Three large, rectangular blocks of translucent green glass hang in vertical succession on a newtwork of copper pipes. The sides of the glass bricks are rough, have bubbles embedded within them, and show evidence of the sandcasting process; the front surfaces of glass are smooth, although the middle brick has an area of sand within the smooth surface.
Howard Ben Tré (American (North American))
To Benjamin B.
1980
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.116
A woman sits on the edge of a bed in which a figure lays. A child stands next to the woman. A chair with a bag on it sits in the right bottom corner.
Käthe Kollwitz (German (culture or style))
Visit to the Hospital
1929
Museum Purchase
1956/1.59
This print shows a hand grasping a breast. 
Dotty Attie (American (North American))
Mother's Kisses: detail of hand on breast
1982
Museum Purchase
1993/1.115.17

Dotty Attie (American (North American))
Mother's Kisses: AS CHILDHOOD ENDED HE THOUGHT MUCH ABOUT HIS FUTURE LIFE
1982
Museum Purchase
1993/1.115.19
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