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Between and Mortarboard


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Results for terms:social issues

12 UMMA Objects (page 1/1)
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Honoré Victorin Daumier (French (culture or style))
Les Beaux jours de la vie. Pl. 30: Un Usage d'Inde
1844
Museum Purchase
1961/2.29

William Hogarth
A Rake's Progress. Plate I (He takes possession)
1735
Gift of Jean Paul Slusser
1962/1.107

Honoré Victorin Daumier (French (culture or style))
Actualités. 2nd series: Suites du Macademisage. Aspects des boulevards...
1850
Museum Purchase
1962/2.33

Honoré Victorin Daumier (French (culture or style))
Les Saltimbanques. 1st series: Vous voyez ici les grandes célébrités ...
1839
Museum Purchase
1961/2.28

Honoré Victorin Daumier (French (culture or style))
Actualités. Pl. 229: Vous aurez beau faire, ma pauvre presse ultramontaine; vou
1866
The Paul Leroy Grigaut Memorial Collection
1969/2.117

Honoré Victorin Daumier (French (culture or style))
Les Beaux jours de la vie. Pl. 37: Une Représentation à bénéfice
1844
Museum Purchase
1961/2.30

Honoré Victorin Daumier (French (culture or style))
The Urchin of Paris in the Tuileries (Le Gamin de Paris aux Tuileries)
1848
Bequest of Doris Margaret Grigaut for the Paul Leroy Grigaut Memorial Collection
1981/1.319

William Hogarth
A Rake's Progress. Plate VI (He Gambles)
1735
Gift of Jean Paul Slusser
1962/1.112

Honoré Victorin Daumier (French (culture or style))
Les Saltimbanques. 1st series: O Maître Bilboquet...
1839
Museum Purchase
1961/2.27

Honoré Victorin Daumier (French (culture or style))
Le Carcan
1835
The Paul Leroy Grigaut Memorial Collection
1969/2.115
This abstract color lithograph is comprised of various patches of color that show the mark of the brush used to apply them to the stone. Patches of grey and black marks run diagonally through the center of the work from the upper left corner to the lower right. There is a large portion of blue color at the top edge of the work, with green patches on either side in the upper left and right corners. There are also red marks in the lower left corner. The print is signed and dated (l.r.) "Jorn 72" and editioned (l.l.) "E.d.A." in pencil. 
Asger Jorn (Danish (culture or style))
Geschichte vom Teuren Brot
1972
Museum Purchase
1973/1.803
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman (American (North American))
My Father Reminisces
1937
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
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