22 UMMA Objects
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Close-up view of a low-relief sculpture that depicts a human figure in twisted perspective who holds out another, much smaller, seated human figure in one hand. The figures are surrounded by images of birds and plants, as well as hieroglyphics. 
Pascal Sebah (Turkish (culture or style))
Abidôs - Portrait de Séti I
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.202
A square sheet of thin cream colored paper with irregular edges. The paper has a gauzy appearance and a rough surface that includes bits of pulp. On this sheet are two black ovoid forms created by fiber-like black, white and gray lines. These various lines create the appearance of volume, but not substance for the ovoid forms.
Michele Oka Doner (American (North American))
Lungs
2007
Given in memory of Oleg Grabar distinguished scholar of th Islamic Art and professor emeritus (1954-1969)
2010/2.53
A large sheet of rough cream colored paper with irregular edges and bits of pulp within the surface. On this sheet is an abstract form in the shape of a life size human body. This form is created by swirling, energetic black lines and fiberous black blots.
Michele Oka Doner (American (North American))
Primal
2008
Given in honor fo former Director James Steward for his contribution to UMMA
2010/2.52
A post on a wide, flat base. The post features a protruding human face and the top is in the shape of an anvil. 
Susanna Linburg
Caryatid VII
1981 – 1987
Bequest of Gertrude Kasle
2016/2.103
A tabletop sculpture of a large structure and a man at the corner. The man is nude from the chest to his legs but his face and feet are wrapped in cloth. The whole sculpture is painted with red, black-brown and gold, with strong and visible brush marks. The artists's signature is chiseled into the two corner of the sculpture with the date "S di Giusti / 80".
Sergio De Giusti (Italian (culture or style))
Polychrome Metope
1980
Gift of H. David Zucca
2013/2.303
Oblique view of a pylon in front of which are set an obelisk and two humanoid sculptures, half submerged in sand. A minaret peaks through the break between the two vertical elements of the pylon.
Pascal Sebah (Turkish (culture or style))
Louqsor. Le Pylône
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.203

Double Festoon Relief Fragment with Putto's Head
16th century
Transfer from the College of Architecture and Design
1972/2.56
This drawing shows a few musical instruments abstracted in a cubist way. The largest and central instrument seems to be a guitar while below and to the left, behind the guitar, there seems to be a flute-like piece.
Jacques Lipchitz (French (culture or style))
Still Life with Musical Instruments (Study for a Bas-Relief)
1918
The Florence L. Stol Collection
1968/2.61

Indian (Indian (South Asian))
Devotees of the Buddha (fragment of a frieze from a stupa, from Nagarjunakonda?)
100 – 299
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1972/2.42
A terracotta block, probably originally part of a frieze around a building, with molded and incised design.
Indian (Indian (South Asian))
Lion attacking a quadruped (architectural fragment)
200 – 399
Gift of Mark W. and Iuliana Phillips
1994/1.77

Chinese (Chinese (culture or style))
Buddha, seated in the padmasana pose, in dhyana mudra, flanked by two donor figures and with a mandorla of the seven Buddhas of the past (fragment of a stele)
500 – 550
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/1.89
A fragment of a stucco relief sculpture.
Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)
Buddha, seated in the padmasana pose, in dhyana mudra, attended by Indra
100 – 399
Museum purchase for the James Marshall Plumer Memorial Collection
1961/2.83
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