13 UMMA Objects
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A square sheet of thin cream colored paper with irregular edges. The paper has a gauzy appearance and a rough surface that includes bits of pulp. On this sheet are two black ovoid forms created by fiber-like black, white and gray lines. These various lines create the appearance of volume, but not substance for the ovoid forms.
Michele Oka Doner (American (North American))
Lungs
2007
Given in memory of Oleg Grabar distinguished scholar of th Islamic Art and professor emeritus (1954-1969)
2010/2.53
A large sheet of rough cream colored paper with irregular edges and bits of pulp within the surface. On this sheet is an abstract form in the shape of a life size human body. This form is created by swirling, energetic black lines and fiberous black blots.
Michele Oka Doner (American (North American))
Primal
2008
Given in honor fo former Director James Steward for his contribution to UMMA
2010/2.52
A post on a wide, flat base. The post features a protruding human face and the top is in the shape of an anvil. 
Susanna Linburg
Caryatid VII
1981 – 1987
Bequest of Gertrude Kasle
2016/2.103
A terracotta block, probably originally part of a frieze around a building, with molded and incised design.
Indian (Indian (South Asian))
Lion attacking a quadruped (architectural fragment)
200 – 399
Gift of Mark W. and Iuliana Phillips
1994/1.77
A fragment of a stucco relief sculpture.
Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)
Buddha, seated in the padmasana pose, in dhyana mudra, attended by Indra
100 – 399
Museum purchase for the James Marshall Plumer Memorial Collection
1961/2.83

Indian (Indian (South Asian))
Devotees of the Buddha (fragment of a frieze from a stupa, from Nagarjunakonda?)
100 – 299
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1972/2.42
A polyurethane relief sculpture of the front end of an automobile superimposed over a silkscreen image of the car in an aluminum frame.<br />
Claes Oldenburg (American (North American))
Profile Airflow—Test Mold, Front End
1968 – 1972
Museum Purchase
1975/1.80

Chinese (Chinese (culture or style))
Buddha, seated in the padmasana pose, in dhyana mudra, flanked by two donor figures and with a mandorla of the seven Buddhas of the past (fragment of a stele)
500 – 550
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/1.89
A conglomerate of polygonal structures in a state of ruin, some covered in low-relief carvings, stand amid rocky and uneven terrain. 
Pascal Sebah (Turkish (culture or style))
Thèbes. Medinet-Abou. Temple de Rhamsès III
1875 – 1885
Transfer from the Kelsey Museum of Archaeology
1980/1.206
A curved stone, originally a facing on the drum of a small stupa, carved with a narrative scene.
Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)
Scenes from the Life of the Buddha: Adoration of the Buddha Dimpakara, Conception, Prophecy, Birth (architectural fragment)
100 – 299
Gift of Iuliana and Mark Phillips
1997/2.36
This photograph depicts a view of some ancient stone ruins. Two columns stand in the center of the photograph, each bearing relief designs and carved hieroglyphics.
Felice Beato (British (modern))
Karnak, Les Deux Stelles Pilliers
1850 – 1862
Transfer from the Kelsey Museum of Archaeology
1980/1.157
A small, thin, molded clay plaque with a bas-relief scene.
Chinese (Chinese (culture or style))
A Votive plaque depicting the Buddha seated in dhyana mudra, and flanked by two stupas
618 – 907
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/2.23
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