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Results for terms:pedestals

21 UMMA Objects (page 1/2)
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Indian (Indian (South Asian))
Garuda on a pedestal (small folk bronze)
17th century
Gift of Dr. and Mrs. Leo S. Figiel
1976/2.39
This vessel consists of a cup with an outward-flaring mouth supported on an inverted V-shaped pedestal foot. A single oval-shaped handle is attached to the underside of the cup. The pedestal foot is decorated with four vertical rectangular perforations. Immediately below this is a pair of thin horizontal ridges, which also encircle the body of the cup.<br />
<br />
This is a gray, high-fired stoneware stem cup. It is characterized by its shallow cup body and trumpet-shaped flared pedestal. A raised-band encircles the lower part of the pedestal, which is perforated by rectangular apertures in four places. A loop-shaped handle is attached to the lower part of the cup.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 66]</p>
Korean (Korean (culture or style))
Cup with handle on cut-out pedestal
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.181
The gray jar with a little long neck has a foot with rectangular perforations. The relatively thick mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. There are wave designs on the neck and upper body. The foot whose bottom is rolled outward is a little high and wide.<br />
<br />
This is a blue-gray, long-necked, high-fired stoneware jar. The long and flared neck of the jar is divided into four sections by thin horizontal incised lines in three places. The sections are decorated by the repeated use of short, downward strokes and wave designs made from scratching the surface with an implement. The body of the jar is widest at the middle, and slightly above the widest point, two incised lines have been drawn to form a section where the same wave design is applied from right to left according to the above technique. The lower part of the body shows faint traces of a parallel paddled pattern that has almo
Korean (Korean (culture or style))
Large storage jar on cut-out pedestal foot
495 – 505
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.185
It was common in the Gyeongju area, capital of the Silla Kingdom. The jar has a globular body, neck with straight sides and a little straight pedestal foot. Thick ridges encircle the mid upper part of the body and the lower and middle parts of the neck. The lower two sections of the neck are embellished with a delicate wave pattern. The low pedestal foot features eight square perforations at even intervals.<br />
<br />
This is a gray, long-necked, high-fired stoneware jar with a pedestal. The neck is slightly splayed and the mouth curves inwards. Two horizontal ridges on the neck are formed by deeply incised horizontal lines. This method has been repeatedly used to form the other bands, one located on the center of the neck and the other where the neck and body meet. The section between these bands is decorated with a wave design formed by an eleven-tooth comb. The body is widest towards the upper-middle section, and a horizontal ridge, formed by two horizontal incised lines, is located slightly above this
Korean (Korean (culture or style))
Storage jar on cut-out pedestal foot
495 – 505
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.184
This light grayish-blue stoneware jar consists of a globular body, short straight mouth and a little high flared pedestal foot. The body is decorated with two incised line and combed wave design. The foot whose bottom is rolled outward is a little high.<br />
<br />
This is a dark-gray, short-necked, high-fired stoneware jar with a pedestal. The neck is slightly splayed and then curves inwards towards a slightly blunt rim. Two sharp horizontal ridges mark the areas, respectively, where the vessel mouth and neck, and the neck and shoulder meet. The body is widest at its center. A set of two incised horizontal lines runs around the upper part of the body creating a wide raised band. The same technique was used to form two wide raised bands along the lower part of the body. A slightly crude wave design has been incised on the surface in between the upper and lower bands, as well as above the upper band. The pedestal is widely splayed, features four rectangular perforations, and has a round, thick edge.
<p>[Ko
Korean (Korean (culture or style))
Round storage jar on cut-out pedestal foot
495 – 505
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.186
It has deep cylindrical bowl supported by a little flared pedestal foot. Five raised band lines encircle the middle of the bowl. A single handle is attached to the body of the bowl. The foot is separated into two parts and has a lot of rectangular holes located in altering position. There is no design on the surface of the bowl and foot.<br />
<br />
This is a grayish white, high-fired stoneware pedestal bowl which is colored greenish-brown in places due to the formation of natural glaze. The bowl flares widely at its top and has a round base. Its outer surface is surrounded by five horizontal ridges which are arranged in three sets: two at the top, one in the middle and two at the bottom. The pedestal spreads outwards in a straight line and is divided into two sections by a set of two raised bands in its center. The upper and lower sections of the pedestal each contain five square perforations that are alternately offset from one another. The base edge of the pedestal is round and does not protrude much.
Korean (Korean (culture or style))
Pedestal Cup or bowl with handle, on cut-out pedestal foot
467 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.180
It has a little Flaring base with spherical food storage bowl on top. There are no holes in the base. The lid is attached with a knob-handle shaped like a button. There is no design on the lid but stained some part.<br />
<br />
This is a dark gray, high-fired stoneware lidded stem cup. The stem cup features a shallow bowl, a low pedestal, and a separate lid with a ring-shaped knob. The shape of the lid resembles the Korean vowel &ldquo;ㅏ.&rdquo; The flange of the cup slopes inwards and has a round edge, while the gallery supporting the lid protrudes slightly upwards. The pedestal is surrounded by several raised bands, and its bottom edge is rounded. The outer surface shows traces of the potter&rsquo;s wheel and natural glaze in parts.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 64]</p>
Korean (Korean (culture or style))
Covered Pedestal Bowl
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.203A&B
The cover has a button-shaped knob at the top and is mostly plain. The mounted bowl has a outward-turned rim. This type of mounted bowl may be deated to sometime in the early 5th century.<br />
<br />
This is a blue-gray, high-fired stoneware lidded stem cup. The shape of the lid is similar to that of the Korean letter &lsquo;ㅏ&rsquo; and is crowned with a ring-shaped knob. The cup&rsquo;s flange slopes inwards and has a sharp edge, while the gallery that supports the lid protrudes slightly. The trumpet-shaped pedestal is perforated in four places by rectangular openings and has a slightly thick bottom edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 61]</p>
Korean (Korean (culture or style))
Covered bowl on cut-out pedestal foot
400 – 599
Gift of Mr. and Mrs. Millard H. Pryor
1969/1.98A&B
Flaring base with spherical food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating design.<br />
<br />
This is a grayish white, high-fired stoneware lidded stem cup. The lid features a button-shaped knob at the center, around which a thin circle is inscribed. Triangular line designs are contained within the circle, which is surrounded by a row of semicircles with dots inside. The single-tiered, perforated, trumpetshaped pedestal has three rectangular openings. The pedestal flares widely outwards towards its bottom, which has a horizontally spreading edge.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 62]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
6th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.189A&B
The convex lid has on its top a long knob which has three square perforations. The lid is decorated with vertical rows of gouged dots. The dish with a slightly inward-flaring and upright mouth is rather flat. The long and astragal-shaped foot is divided into two sections, each bearing three trapezoid perforations at alternating positions and decorated with wave design.<br />
<br />
This is a grayish black, high-fired stoneware lidded stem cup. A thin incised line encircles the upper surface of the lid, above and below which are vertical rows of dots. The cup&rsquo;s flange slopes inward, while the gallery that holds the lid in place is very short. The lip of the lid that covers the cup flange is relatively long and has a grooved edge. The cup has a long, trumpet-shaped stem and two tiers of perforations. The stem splays in a straight line and is divided into two sections by bands. The upper section is perforated by three openings, while the lower section is perforated by three rectangular openings alternate
Korean (Korean (culture or style))
Pedestal Bowl with Cover
400 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.168A&B
Flared base with rounded food storage bowl on top. The base is cut with evenly spaced rectangular holes. The lid is incised with a repeating herringbone, or dotted design. The know on the lid is the shape of a Buddhist canopy, or chattra.<br />
<br />
This is a dark blue-gray, high-fired stoneware lidded stem cup. The lid is crowned by a pearl-shaped knob, while both the inner and outer surfaces of lid have traces related to the attachment of the knob to the lid. A v-shaped pattern of engraved dots, made using a sixtooth comb, surrounds the central knob. The cup&rsquo;s flange slopes inwards and has a sharp edge. The cup body has a horizontal gallery that holds the lid in place. The stem is perforated by rectangular openings, below which is a sharply protruding circular raised band. Traces of rotation and water smoothing are visible on the body and stem of the cup.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 59]</p>
Korean (Korean (culture or style))
Pedestal Bowl with Cover
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.169A&B
The gray jar with a little long neck has a foot with rectangular perforations and is potted with fine silt-based clay. The relatively thin mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. The foot whose bottom is rolled outward is a little high and wide.<br />
<br />
This is a dark gray, long-necked, high-fired stoneware jar with a pedestal. It has a diagonally splayed neck that is encircled with two raised bands formed by narrowly incised lines. The rim has a rounded edge. The shape of the body is spheroidal, while a raised band marks the boundary between the neck and body. The body, which is widest at its center, is engraved with two shallow horizontal lines that create a wide raised band. The short pedestal and the vessel body are joined smoothly. The pedestal features four square perforations and spreads out horizontally near the bottom edge.
<p>[Korean Collection, University of Michigan Museum
Korean (Korean (culture or style))
Storage Jar on cut-out pedestal foot
500 – 699
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.174
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