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Between and Mortarboard


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Results for terms:oil paintings (visual works)

43 UMMA Objects (page 1/4)
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An oil painting of New York City skyscrapers in neutral colors. Dark clouds hang in the sky.
Emilio Sanchez
Untitled, New York Skies
1975 – 1985
Gift of the Emilio Sanchez Foundation
2011/2.138
New York City skyscrapers seen from a distance. Dark clouds in the sky could be bringing rain.
Emilio Sanchez
New York Sunset
1975 – 1985
Gift of the Emilio Sanchez Foundation
2011/2.137

Hughie O'Donoghue (British (modern))
A Monument in Rouen
1999 – 2000
Museum purchase made possible by the W. Hawkins Ferry Fund
2001/2.80
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Pablo Picasso (Spanish (culture or style))
Two Girls Reading (Deux Enfants Lisant)
03/28/1934
Gift of The Carey Walker Foundation
1994/1.67
An oil painting of a farmhouse and its surrounding land. The farmer stands on the road in overalls with his hand raised, while a cow grazes in a field.
Emilio Sanchez
Untitled, Farm Buildings in Pennsylvania
1945 – 1955
Gift of the Emilio Sanchez Foundation
2011/2.139
An abstract oil painting of a blank, windowless building.
Emilio Sanchez
Untitled, Moroccan Abstraction
1970 – 1975
Gift of the Emilio Sanchez Foundation
2011/2.142

American (American (North American))
Portrait of a Man
19th century
Bequest of Henry C. Lewis
1895.75
A massive harlequin figure, depicted in purples, greens, and yellow, sits in a chair at center, wearing a hat. A plate sits on the left armrest of the chair. The central composition of the seated harlequin is contained within a circular framework.
Juan Gris
Seated Harlequin (L'Arlequin assis)
1923
Gift of The Carey Walker Foundation
1994/1.71
A young man leans against a stone ledge and gazes to his right. He wears a slate blue jacket with a white collar and cuffs and has a matching mantle. He casually hooks a finger of his left hand in the hilt of a sword that hangs at his waist. A plain stone column immediately behind the sitter creates a near silhouette of the shadowed side of his face. A hazy sky fills the background.
Joshua Reynolds
Lord Charles Spencer (1740-1820), Second son of the Third Duke of Marlborough
1759
Museum purchase made possible by the W. Hawkins Ferry Fund
2001/2.128
This study depicts a rectangular chapel with the side walls bent outward at an angle in order to provide a clearer view of the decoration. The chapel design centers upon a sarcophagus placed beneath a painted altarpiece of the Virgin and Child, which are both set within a semicircular architectural projection that extends dynamically from the wall. On the left the pair of angels that support a large oval-shaped painting reach vigorously outward, their wings overlapping the pilasters. On the right appears another sarcophagus surmounted by a pair of putti. Leaning out from the oval niche above the sarcophagus is a female half-figure—probably a portrait of the deceased—making a gesture of devotion toward the altar.
Andrea Pozzo (Italian (culture or style))
Study for a Chapel in Vienna
1662 – 1709
Museum Purchase
1960/2.124
An abstract painting with a bar of mottled blue at the bottom, white in the center, and grey with green at the top.
Jimmy Ernst (American (North American))
Untitled
1982
Bequest of Gertrude Kasle
2016/2.86

Pierre Alechinsky (Belgian (modern))
Elsewhere, Therefore Here
1961
Museum Purchase
1963/1.86
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