31 UMMA Objects
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An oil painting of two storefronts. The first store is brightly painted, while the second one is in more neutral shades.
Emilio Sanchez
Untitled, Bronx Storefronts
1985 – 1990
Gift of the Emilio Sanchez Foundation
2011/2.135
High-gloss abstract expressionist painting of a large Africa-shaped form in red against black ground. Clough’s unique way of applying paint to the canvas results in a highly articulated and densely textured surface. “In place of the brush and other typical painter's tools, Clough uses an instrument he calls the ‘Big Finger,’ a large balloon-like contraption that he invented to spread poured house enamel on masonite into broad gestural constellations.” (Max Henry, “charles clough,” http://www.artnet.com/magazine_pre2000/reviews/henry/henry2-5-99.asp)
Charles Clough
Redoubt
1990
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.225
Abstract expressionist painting in pink, black, green and ivory, with squares pressed into the paint while wet to make an impression.
Michael Goldberg
Untitled
1986
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.230
An oil painting of New York City skyscrapers. A water tower is visible over the top of a building on the left.
Emilio Sanchez
New York Sky Some Clouds
1975 – 1985
Gift of the Emilio Sanchez Foundation
2011/2.136
An oil painting of a farmhouse in Pennsylvania. To the side of the building, three figures are standing along with a farm animal.
Emilio Sanchez
Untitled, Barn in Pennsylvania
1945 – 1955
Gift of the Emilio Sanchez Foundation
2011/2.140
An oil painting of New York City skyscrapers against a sunset. A large cloud is set in the middle of the sky.
Emilio Sanchez
Untitled, New York Sunset
1985
Gift of the Emilio Sanchez Foundation
2011/2.141
A nude, muscular man, seen from behind, leans upon his left leg, which is propped on a rock. He grasps a stick for support with his left hand, while bending his torso to the right and looking downward.  The lighting and colors vaguely suggest an outdoor environment.<br />
Ubaldo Gandolfi;Gaetano Gandolfi (Italian (culture or style))
Study of a Standing Male Nude
1760 – 1780
Gift from the Joseph F. McCrindle Collection in memory of Frederick A. den Broeder
2008/2.199.2

Hughie O'Donoghue (British (modern))
A Monument in Rouen
1999 – 2000
Museum purchase made possible by the W. Hawkins Ferry Fund
2001/2.80
A woman dressed in a rose-colored robe with a blue mantle and flowing white veil stands on a silver crescent moon among a bank of dark clouds.  A halo of stars encircles her head. She clasps both hands before her. The heads of two putti peak out from beneath her mantle next to her left hip. Her right foot treads upon a long serpent that curves back upon itself with an open mouth.
Gaetano Gandolfi (Italian (culture or style))
Virgin of the Apocalypse
1770 – 1780
Joseph F. McCrindle Collection in memory of Frederick A. den Broeder
2009/1.537

American (American (North American))
Portrait of a Woman
19th century
Estate of Professor Arthur Lyon Cross
1940.385
Close-up view of an altar on which stands a cross, candlesticks, and flower bouquets. A large oil painting hangs above the altar. 
Felix Bonfils (French (culture or style))
Church of St. Joseph, Nazareth, Interior
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.9
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Pablo Picasso (Spanish (culture or style))
The Bullfight (Courses de taureaux)
1934
Gift of The Carey Walker Foundation
1994/1.70
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