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Results for terms:oil painting (technique)

32 UMMA Objects (page 1/3)
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An oil painting of two storefronts. The first store is brightly painted, while the second one is in more neutral shades.
Emilio Sanchez
Untitled, Bronx Storefronts
1985 – 1990
Gift of the Emilio Sanchez Foundation
2011/2.135
High-gloss abstract expressionist painting of a large Africa-shaped form in red against black ground. Clough’s unique way of applying paint to the canvas results in a highly articulated and densely textured surface. “In place of the brush and other typical painter's tools, Clough uses an instrument he calls the ‘Big Finger,’ a large balloon-like contraption that he invented to spread poured house enamel on masonite into broad gestural constellations.” (Max Henry, “charles clough,” http://www.artnet.com/magazine_pre2000/reviews/henry/henry2-5-99.asp)
Charles Clough
Redoubt
1990
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.225
Abstract expressionist painting in pink, black, green and ivory, with squares pressed into the paint while wet to make an impression.
Michael Goldberg
Untitled
1986
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.230
An oil painting of a farmhouse in Pennsylvania. To the side of the building, three figures are standing along with a farm animal.
Emilio Sanchez
Untitled, Barn in Pennsylvania
1945 – 1955
Gift of the Emilio Sanchez Foundation
2011/2.140
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Pablo Picasso (Spanish (culture or style))
Two Girls Reading (Deux Enfants Lisant)
03/28/1934
Gift of The Carey Walker Foundation
1994/1.67
An oil painting of New York City skyscrapers. A water tower is visible over the top of a building on the left.
Emilio Sanchez
New York Sky Some Clouds
1975 – 1985
Gift of the Emilio Sanchez Foundation
2011/2.136

Hughie O'Donoghue (British (modern))
A Monument in Rouen
1999 – 2000
Museum purchase made possible by the W. Hawkins Ferry Fund
2001/2.80
An oil painting of New York City skyscrapers against a sunset. A large cloud is set in the middle of the sky.
Emilio Sanchez
Untitled, New York Sunset
1985
Gift of the Emilio Sanchez Foundation
2011/2.141
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Pablo Picasso (Spanish (culture or style))
The Bullfight (Courses de taureaux)
1934
Gift of The Carey Walker Foundation
1994/1.70
A nude, muscular man, seen from behind, leans upon his left leg, which is propped on a rock. He grasps a stick for support with his left hand, while bending his torso to the right and looking downward.  The lighting and colors vaguely suggest an outdoor environment.<br />
Ubaldo Gandolfi;Gaetano Gandolfi (Italian (culture or style))
Study of a Standing Male Nude
1760 – 1780
Gift from the Joseph F. McCrindle Collection in memory of Frederick A. den Broeder
2008/2.199.2
A massive harlequin figure, depicted in purples, greens, and yellow, sits in a chair at center, wearing a hat. A plate sits on the left armrest of the chair. The central composition of the seated harlequin is contained within a circular framework.
Juan Gris
Seated Harlequin (L'Arlequin assis)
1923
Gift of The Carey Walker Foundation
1994/1.71
Close-up view of an altar on which stands a cross, candlesticks, and flower bouquets. A large oil painting hangs above the altar. 
Felix Bonfils (French (culture or style))
Church of St. Joseph, Nazareth, Interior
1867 – 1885
Gift of Margaret and Howard Bond
1994/2.29.9
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