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226 UMMA Objects
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In this image, a woman holds a pin up to her hair. She wears a blue patterned robe and a black sash with a purple, floral border. The wall behind her is missing in places. Above her is a shelf.<br />  <br /> This is the center panel of a triptych (with 2003/1.409.1 and 2003/1.409.3).<br /><br /> Inscriptions: Okuni, Nakaura Fukusuke; Toyohara Chikanobu hitsu (Artist's signature); Takekawa Sekichi (Publisher's seal)<br /><br />  
Toyohara Chikanobu (Japanese (culture or style))
Lovebirds and Lightening in the Summer Rain: Nakamura Fukusuke IV as Okuni
1886
Gift of Dr. James Hayes
2003/1.409.2
The woman in this image stands in front of a long red bench.  She wears a colourful robe with a black top and tall sandals.  Her hair is elaborately decorated.  A flowering tree is visible behind her in front of the blue sky.<br />  <br /> Inscriptions: Artist Signature: Kunisada ga; Publisher’s seal: Kyū ; Censor’s seal: kiwame; Kohina, Iwai Shijaku<br />  <br /> This is the left panel of a triptych (the right panel, 2003/1.420.2).
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as Kohina (left half of a diptych with 2003/1.420.2)
1822 – 1844
Gift of Dr. James Hayes
2003/1.420.1

Utagawa Kunisada (Japanese (culture or style))
Iwai Tojaku as Yoemon's wife, Rui (maidservant, carrying a tray)
1832 – 1844
Gift of Dr. James Hayes
2003/1.422

Utagawa Kunisada (Japanese (culture or style))
Unidentified actor with chrysanthemum crest in a female role: snow scene with year of the snake votive tablet. (New Year's print?)
1833
Gift of Dr. James Hayes
2003/1.424

Utagawa Kunisada (Japanese (culture or style))
Unidentified actor as the nursemade Kosakawa Tsuneyo (?)
1820 – 1830
Gift of Dr. James Hayes
2003/1.426

Utagawa Kunisada (Japanese (culture or style))
Iwai Tojaku as Sushiya no Osato, in a scene f rom Yoshitsune senbon zakura
1832 – 1844
Gift of Dr. James Hayes
2003/1.431
In this print, a woman stands next to a bamboo fence.  She wears a black robe with a grey sash.  A blue and white cloth covers her head.  Branches of a tree descend from the top of the print behind her.<br />  <br /> Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: To, Yamaguchi han; Censor’s seal: Kiwame; Nyōbō Oroku, Iwai Shijaku
Utagawa Kunisada (Japanese (culture or style))
Iwai Shijaku [I] as the wife, Oroku
1822 – 1844
Gift of Dr. James Hayes
2003/1.433

Utagawa Kunisada (Japanese (culture or style))
Iwai Kumesaburô [III] as Koman, in a boat, scattering tissues
1832 – 1844
Gift of Dr. James Hayes
2003/1.442

Utagawa Kunisada (Japanese (culture or style))
Nakamura Shikan in an dance role (with an octopus in a basket on her head) and an unidentified actor, carrying a scythe; from a Shôsagoto [dance drama]
1820 – 1844
Gift of Dr. James Hayes
2003/1.445
This is a print of a woman seated on the ground next to a fence.  She wears a purple robe patterned with white and pink flowers and a black sash.  Her hair is elaborately decorated with ribbons and pins.  A tree grows near the fence behind her.<br />  <br /> Inscriptions: Artist’s signature: Kunisada ga; Publisher’s seal: Kawagen (cut off); Censor’s seal: Kiwame (cut off); Tofuya Mibu (cut off) musume Omiya, Sawamura Tanosuke
Utagawa Kunisada (Japanese (culture or style))
Sawamura Tanosuke [II] as ... ya musume, Omiwa (?)
1808 – 1816
Gift of Dr. James Hayes
2003/1.458

Utagawa Kunisada (Japanese (culture or style))
Unidentified actors as the brigand Ishikawa Goemon and the courtesan Gion no Oritsu
1853 – 1857
Gift of Dr. James Hayes
2003/1.471
The man in the front wears a blue robe with brown stoles. He carries a red umbrella in both hands. Behind and above him are two men wearing blue stoles over black robes. Both men hold instruments.<br /><br /> This is a ccenter piece of a triptych (with 2003/1.473.1 and 2003/1.473.3).<br /><br /> Inscriptions: Magoemon; Toyokuni ga (Artist's siganture); hori take (Carver's seal); Kichi, Isekane (Publisher's seal); aratame, tora 9 (Censor's seals)<br />  
Utagawa Kunisada (Japanese (culture or style))
First Snowfall on the Lovers' Journey to His Hometown: Bandō Kōsaburō IV as Magoemon
1854
Gift of Dr. James Hayes
2003/1.473.2
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