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Between and Mortarboard

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At the top of the print, there are three oval shapes, from the left, the first white and the next two black. Undulating horizontal black and white lines create a rectangular section at the center of the composition, interrupted to create other geometric shapes. There are light grey, black, and white triangles and squares at the bottom of the image. Overall, the background is a solid grey. The print is signed in pencil (l.r.) "Vasarely-" and numbered in ink (l.l.) "70/150".
Victor Vasarely (French (culture or style))
Untitled
1959
Gift of the Estate of Maxine W. Kunstadter in memory of Sigmund Kunstadter, Class of 1922
1983/1.404.3
Waves of bright red, subdued yellow, and dark red appear to bend in a three dimensional perspective. Thin dark lines bend across the shapes to add to the illusion of dimensionality.
Angel Duarte (Spanish (culture or style))
SE 10
1957 – 1973
Museum Purchase
1973/1.802
This photolithographic print in shades of pink and blue has a series of grids and squares that overlap to create a kind of optical illlusion.
Sir Eduardo Paolozzi (British (modern))
Becoming is Meaning like Nothing is Going
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.13

Lee Bontecou
Untitled, from 'Ten from Leo Castelli'
1967
Gift of the Marvin Felheim Collection
1983/1.178

Stanley William Hayter
Pink/Green Abstract
1970
Gift of Gilbert M. Frimet
2004/1.135
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