72 UMMA Objects
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A gray earthenware head from a horse sculpture; its strong muscular neck holding its narrow head high. It is vividly sculpted to show the musculature of the horse's face with flaring nostrils and an open mouth showing its tongue. It has deep set and bulging eyes, ears pointing forward and a flowing mane. It is covered in red mineral pigment. 
Chinese (Chinese (culture or style))
Horse Head
25 – 220
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.79
A girl with her head in profile, her brown hair is highlighted with white strands, red columns of dots, and red, blue, black, and gold curls. In front of her is a blue, yellow, and red patterned butterfly; above it is a white dotted horse. The background is a faded bworn and gold with red, orange, and blue horizontal stripes.
Nakayama Tadashi
Watashi no gogo (My Afternoon)
1975
Gift of Sheila and Ronnie Cresswell
2011/2.31
Paper size: h 33 3/5cm x tw 42 1/2cm &amp; bw 42 3/10cm. Image size: h 22 7/10cm x w 31 2/5cm.<br />
This lithograph is printed is tones of brown ink on cream colored paper. There is a large dappled horse standing in a stall with its left rear hoof raised. On the left, a man, standing with feet braced and muscular arms extended, uses tools to attach a shoe to the horse's hoof. Steam billows from the hot metal shoe. On the right, a man stands leaning against the stall and a small child reaches up toward the horse's head. The horse bends its head down toward the child. There is an English inscription below this scene that identifies the artist, title and publisher.
Théodore Géricault
The Flemish Farrier
1821
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.374
A round porcelain vase-shaped snuff bottle with blue underglaze. Painted on the snuff bottle is a design of a Manchu bannermen on horses in a landscape. &nbsp;
Chinese (Chinese (culture or style))
Snuff bottle with painted design of Manchu bannermen in a landscape
1825 – 1880
Gift of Mr. Robert W. Coggan
1980/2.120
A gray earthenware head from a horse sculpture vividly sculpted to show the musculature of the horse's face with flaring nostrils and an open mouth showing its tongue. It has deep set and bulging eyes and loss of ears and neck. The head has traces of red and white mineral pigment. 
Chinese (Chinese (culture or style))
Horse Head
25 – 220
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.84
A man in the center dressed in a robe and headdress is holding a staff and looking to the left. On the left of him is a man in holding a vase and a horse. On the right of him is another man, he is only wearing clothing covering his lower half.&nbsp;
Chinese (Chinese (culture or style))
A God of Wealth: Immortal Official of Recurring Joy and Increasing Trade.
20th century
Gift of Willard A. and Marybelle B. Hanna
1989/2.143
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Pablo Picasso (Spanish (culture or style))
The Bullfight (Courses de taureaux)
1934
Gift of The Carey Walker Foundation
1994/1.70
Within an elaborate decorative framework consisting of griffins, birds, dogs, and fantastic half man-half beast creatures is a central panel with the image of a nude woman standing on a column holding a victor&#39;s wreath in either hand. Approaching for either side is a man in a quadriga holding a banner; each also holds a line that extends up to the wreath in the woman&#39;s hand.
Hans Vries
Ornament Print from a series: 'Grottesco in diversche manieren'
1555 – 1560
Museum Purchase
1960/1.118
This small, flat metal piece has a quartrefoil shape. Three holes in the middle. Some chips can be seen around the center hole, which mended with silver and copper. A samurai on horseback is charging into the sea from steep hill; he is wearing a helmet, armor, and sword, and holding a fan. A pine tree is standing on the samurai’s right side; there are rocks and bamboo grass by the ocean. The motifs of the ocean, pine tree, bamboo grass and rocks also appear on the reverse side. Gold and some silver and copper inlays are applied on pine branches, samurai's helmet, horse's mane and bridle, bamboo grass on the shore, and spray from waves.
Harunori
Tsuba (sword guard) with inlaid design of samurai on horseback at the shore
18th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.2
A gray earthenware head from a horse sculpture, its strong muscular neck holding its narrow head high. It is vividly sculpted to show the musculature of the horse's face with flaring nostrils and open mouth showing its tongue. It has deep set and bulging eyes, ears pointing forward and a flowing mane. The head is covered with red pigment and with painted white pigment horse trappings. 
Chinese (Chinese (culture or style))
Horse Head
25 – 220
Museum purchase for the James Marshall Plumer Memorial Collection
1964/2.80

Italian
Equestrian Statuette of Marcus Aurelius
Bequest of Henry C. Lewis
1895.10
A group of men wage battle against each other in a rocky landscape. Some of the men wear ancient Roman armor while others are only partially clothed. The combatants wield spears and swords, and some are on horseback. The mounted soldier in the center of the scene holds a large banner. A burning city is visible in the distance.
Agostino dei Musi (Italian (culture or style))
Battle of the Romans under Scipio against the Carthaginians
1532 – 1541
Museum Purchase made possible by the Friends of the Museum of Art
1976/1.211
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