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Results for terms:fashions

150 UMMA Objects (page 1/13)
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Isaac Cruikshank
Dancers [Five Couples (recto); Three Couples (verso)]
1756 – 1810
The Paul Leroy Grigaut Memorial Collection
1969/2.97

Kuba (Kuba (Democratic Republic of Congo style))
Dance costume (thigh cover)
1915 – 1925
Gift of Al and Margaret Coudron
1985/1.185.3
An image of three older women and two young girls standing together outside of a building. The woman to the left wears a plain kimono of black stripes and a green obi. The two women in the center wear layered kimono of orange shades, with the woman on the right wearing star burst designs and the woman on the left wearing a fan and flower design. The two young girls also wear kimono of orange and a different style of star burst pattern. In the background is a scene of trees and a pond.
Utagawa Toyokuni I (Japanese (culture or style))
Courtesan and her retinue on an outing (part of triptych)
1780
Bequest of Margaret Watson Parker
1948/1.173

Achille Devéria (French (culture or style))
Portrait of Géricault
1824
Gift of Jean Paul Slusser
1963/2.52
Inscriptions of the artist: (At right:) A portrait of Mr. Zeng Pozhen … Copied by Shi Qu in the spring of 1797. (At left:) Mr. Zeng Pozhen was a superb realistic portrait painter … Two seals of the artistColophon, signature, and seal of Fei Danxu (1802–1850), dated 1848
Shi Qu (Shin Ch'ü)
Portrait of Zeng Jing (Tseng Ching,1564-1647)
1797
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1966/1.111
This is a portrait of a Manchu woman in her semiformal costume.<br />
<br />
<span id="docs-internal-guid-05c56ece-efcd-1a7f-725a-ae44c490cb99" style="color: rgb(0, 0, 0); font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; background-color: transparent;">The form and color of her dragon robe references the Ming dynasty, a reference to Han Chinese roots. Generally, formal attire like this was worn by wives of high-ranking officials or Chinese noblemen, but lower-ranking officials&rsquo; wives also wore such clothing as part of their bridal dress. Though it is difficult or impossible to know for certain, because of the low rank of her husband yet the highly formal nature of her clothing, this portrait could be depicting a woman in her bridal attire. </span><br />
&nbsp;
Chinese (Chinese (culture or style))
Ancestral Portrait: Female in Manchu Court Costume
1875 – 1920
Gift of Richard Edwards in honor of Ellen Johnston Laing
2002/1.218.2

Henri de Toulouse-Lautrec
A l'Opéra: Mme. Caron dans Faust
1894
Gift of Edwin M. Otterbourg
1954/2.8

Kuba (Kuba (Democratic Republic of Congo style))
Dance costume (thigh cover)
1915 – 1925
Gift of Al and Margaret Coudron
1985/1.185.2
Embroidery on a plain cotton fabric (khaddar). Red-orange khaddar with neon orange, green, white and red accents which make up the bagh tara (four-part flower) design.
Indian (Indian (South Asian))
Phulkari Shawl with Stylized Bagh Tara (four-part flower) Designs
1900 – 1949
Anonymous gift in honor of Karuna and Brijen Goswamy
2005/2.11

Chinese (Chinese (culture or style))
Portrait of Su Tung-po
1368 – 1644
Gift of the Estate of Agnes E. Meyer
1971/2.107
This late Qing portrait depicts an official in his formal court costume.
Chinese (Chinese (culture or style))
Ancestral Portrait, Male
1875 – 1920
Gift of Richard Edwards in honor of Ellen Johnston Laing
2002/1.218.1
A woman in motion walking towards the left. She is wearing a very full skirt that is flowing behind her. Her right arm is raised up while the left arm is on her thigh holding her dress. She is wearing an elaborate hat.
Dudley Hardy
Sketch of a Woman
1905 – 1915
Gift of Professor Walter M. and Nesta R. Spink
2013/2.537
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