172 UMMA Objects
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This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B
Face mask made of wood, covered in white kaolin; face has round, bulging forehead, deep set narrow eyes, small round ears, fiber beard, open rectangular mouth and pointed teeth; basketry weave that held mask on the dancer’s head is visible at back and sides; raffia attachment on top of head frayed and missing.<br />
Salampasu (Salampasu)
Mask (Kasangu)
1920 – 1960
Museum Purchase assisted by the Friends of the Museum of Art
1971/2.44

Albert Kahn (American (North American))
Hotel de Ville, Brussels
08/18/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.516
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12

Richard Lindner
Shoot V, from "Shoot"
1971
Gift of Mr. Natan Goldenberg
1977/2.42

Italian
A Door Knocker with Arms Resembling Those of the Medici
1575 – 1625
Museum Purchase
1963/2.28

Joan Miró (Spanish (culture or style))
Woman and Bird, I (Femme Oiseau I)
1960
Museum Purchase
1964/1.125

Henri Salembier
Design for a Vertical Panel (1 of a set of 12)
1781
Museum Purchase
1959/2.66

Henri Salembier
Design for a Vertical Panel (1 of a set of 12)
1781
Museum Purchase
1959/2.67
This print has a central image of a nude woman, depicted in blue, with long yellow hair, holding an orange, red, and green umbrella. To her right, there is another umbrella, with an orange handle and a collaged canopy. There are a number of line drawings and text (mirrored) around the second umbrella. To the right, there is a collaged face. At the bottom of the print is a blue sea and a drawing in red of a sailboat. The print is signed (l.r.) and numbered (l.l.) in pencil.
Salvador Dali (Spanish (culture or style))
Antiombrelle à atomiseurs de liquides
1975
Anonymous Gift
1981/2.110.9
A portrait of a woman. Only her head and the upper part of her body is visible. She is wearing a hat, a dress and some earrings.&nbsp;<br />
<br />
EC 2017
Diego Rivera (Mexican)
A Woman
1955
Gift of Gilbert M. Frimet
1985/1.106

André Masson (French (culture or style))
The Industrial Beast (La Bête industrielle), Plate IX from "Bestiary (Bestiaire)"
1945
Museum Purchase
1956/1.43
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