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Between and Mortarboard

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3 UMMA Objects
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This photolithographic print in shades of pink and blue has a series of grids and squares that overlap to create a kind of optical illlusion.
Sir Eduardo Paolozzi (British (modern))
Becoming is Meaning like Nothing is Going
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.13
This photograph is a double portrait of two men in dark suits. Both men lean foward, resting an elbow—chin in hand—on a blanketed form in the foreground. In the center of the image is the extended hand of the man on the right.
Irving Penn (American (North American))
George Jean Nathan and H.L. Mencken, New York
1947
Museum Purchase made possible by the Friends of the Museum of Art
1980/1.142
This photolithograph is in five colors: burgundy, red-brown, dark-orange, dark-olive, and grey. It shows a photograph of a race car driver in his car with the exhaust pipes at the center of the frame. On the left and below the image, there are a series of irregular squares in the afforementioned colors; they are in random order. 
Sir Eduardo Paolozzi (British (modern))
Synthetic Sirens in the Pink Light District
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.6
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