44 UMMA Objects
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A truck hauling sugarcane stops in front of a factory with a row of palm trees in front of it.
Dmitri Baltermants (Russian (culture or style))
Sugar Cane Factory, Cuba
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)

William Garnett
Sandhill Cranes over Brazos River, TX, 1975, from 'Color Nature Landscapes II' p
Gift of Marilyn and Leon Sokol
The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
James Abbott McNeill Whistler (American (North American))
Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
Bequest of Margaret Watson Parker
Seen at a distance are several sailing ships at dock along a riverside embankment. Row houses can be seen beyond and in the distance, at the left, is a wooden bridge and and a cluster of trees.
James Abbott McNeill Whistler (American (North American))
Lindsey Houses
1876 – 1877
Bequest of Margaret Watson Parker

Ohara Shōson (Koson)
Two white cranes in a stream
1930 – 1945
Gift of Professor Rose Vainstein

Ohara Shōson (Koson)
Spring rain (Egret in rain)
1930 – 1945
Gift of Professor Rose Vainstein

Jean-Alfred Desbrosses
Le Mare aux Grenouilles
1835 – 1906
Gift of Samuel P. Hayes

Japanese (Japanese (culture or style))
One of Nine Panels, each with various pieces of textile
Transfer from the College of Architecture and Design

Chinese (Chinese (culture or style))
Separated cuffbands: Deer and crane under plum blossom on silk
19th century
Gift of Mr. and Mrs. Herbert W. Johe

Herbert Waters
Granite Quarry, New Hampshire
1930 – 1940
Allocated by the U.S. Government Commissioned through the New Deal art projects
Black crepe silk with origame crane designs hand-painted by paste-resist yûzen techinique, in colors and gold pigment.  Lining is pink silk damask with woven pattern of truncated floral medallions.  Double oak leaf crest (kashiwa) is embroidered with bokashi-dyed blue and white thread.
Japanese (Japanese (culture or style))
Black crested haori with yûzen painted origami crane design
1940 – 1960
Gift of Howard and Patricia Yamaguchi
A scholar sits in a relaxed posture at his desk looking at cut plum blossoms in a white vase; before him is an empty sheet of paper and ink stone, and by his side an attendant is boiling water for tea. A crane tucks her head and leg to keep herself warm in the cold winter air. The scholar seems to be contemplating a subject to be drawn or written, perhaps related to the flowers.
Gai Qi
Scholar's Winter Retreat
1815 – 1825
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund