70 UMMA Objects
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The scene shows a group of buildings with white colored rooftops. Two buildings rise up in the foreground on the right and left. The right building has a red side with vertical lines hashed into it. The left building has two white triangles on its roof. In the middle ground is a smaller building with a green-domed tower rising up the middle of the composition. A small red figure stands on the white ground to the right of this tower. The background shows the large white rooftop of another building, with small dark rooflines of buildings visible behind it.
Saitō Kiyoshi (Japanese (culture or style))
Nostalgia (Boston)
1956
Gift of the artist
1958/2.36
A photograph of abandoned wood buildings.
George A. Tice (American (North American))
Church Steps and Blacksmith Shop
1965
Gift of the Marvin Felheim Collection
1983/1.295.8
Sketch of ruins. In the foreground, piles of rubble can be see. At the back, there are a series of entrances flanked by columns.
Artist Unknown
Sketch of the Baths of Caracalla
Gift of Professor Walter M. and Nesta R. Spink
2013/2.559.4
Elevated view down on a spire of a church in front of two tall office buildings.
Berenice Abbott (American (North American))
Trinity Church
1935 – 1938
Gift of Harry H. Lunn Jr.
1989/1.72
A tall flagpole occupies a central location in a busy city plaza; the adumbrated profiles of buildings can be seen in the distance. 
Dmitri Baltermants (Russian (culture or style))
View of The Plaza Outside the Palace of Congress, Moscow
1939 – 1990
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.89
A photograph of three wooden buildings in a rural landscape.
George A. Tice (American (North American))
Cain House and Methodist Church
1965
Gift of the Marvin Felheim Collection
1983/1.295.11
A winter scene with a steepled church in the center surrounded by other buildings, including a three-story building on the right hand side. A bird perches on top of the steeple. Snow covers the ground and the trees in front of the church are bare. Pinks, whites, browns and blues dominate the palette.
Maurice Utrillo
L'Englise d'Aulnay-sous-Bois
1933 – 1943
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.615
Paper size: lh 32 1/2cm & rh 33cm x tw 50 3/5cm & bw 50 1/2cm. Image size: lh 24 1/2cm & rh 24cm x w 34cm.
Maurice de Vlaminck
Walterskirchen
1955 – 1965
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.453
A sketch of ancient ruins. At the center is a colonnaded apse that has partially collapsed. To the left, there are a series of columns. On the reverse, there is a sketch of a sculpture.
Artist Unknown
Sketch of the Baths of Caracalla
Gift of Professor Walter M. and Nesta R. Spink
2013/2.559.1
This sketch shows ancient ruins. The top half of the page is left empty with sky. At the righ is an apsed portico and from it, to the left of the page, runs a wall studded with windows. In the foreground is a set of stairs with shrubbery overgrowing.
Artist Unknown
Sketch of the Baths of Caracalla
Gift of Professor Walter M. and Nesta R. Spink
2013/2.559.2

Pierre Daura
Church, Blue Outline
1955 – 1960
Gift of Martha R. Daura
2001/2.86
Ships at anchor in a lagoon is the focus of this image. Smaller boats are tied to the quay in the foreground and along the horizon line is a cityscape, leading to a large church at the left, with an impressive facade, dome, and bell tower behind. A large ship is moored between the viewer and the church. Much of the foreground is occupied by water without boats, leaving the elements of the composition largely in the middle distance.
James Abbott McNeill Whistler (American (North American))
San Giorgio, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.386
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