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Between and Mortarboard

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2 UMMA Objects
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A post on a wide, flat base. The post features a protruding human face and the top is in the shape of an anvil. 
Susanna Linburg
Caryatid VII
1981 – 1987
Bequest of Gertrude Kasle
2016/2.103
This  stool features an elegantly carved standing female caryatid supporting the seat. It exhibits the characteristic hallmarks of a Southern Hemba style, which in turn was strongly influenced by the neighboring Luba. These traits include the broad, rounded forms of the sculpture, the disproportionately large head, the ovoid face with a subdued expression, a wide convex forehead, the brow ridge defined in relief, half-closed eyes, the elongated nose, the narrow mouth with clenched lips, the protruding abdomen with a pointed umbilicus, scarification patterns on the torso, and a multitude of sculpted bracelets upon both wrists.  Also emblematic of Southern Hemba sculptural forms is the elaborate pulled-back chignon hairstyle (<em>kibanda</em>), which forms a cruciform motif in the rear.  The figure also possesses conical breasts, short squat legs, and flat feet. The tips of the figure’s fingers symbolically carry the circular seat.
Hemba (Hemba (culture or style))
Chief's Stool
1915 – 1925
Gift of Candis and Helmut Stern
2005/1.224
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