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Between and Mortarboard

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7 UMMA Objects
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Giorgio de Chirico (Italian (culture or style))
The Archeologists IV (Gli Archeologi IV); Plate VI from the suite "Metamorphosis" (Metamorphosis is underlined)
1929
Museum Purchase
1948/1.54
At the center of the print is a series of abstract bone-like shapes put together to resemble a creature or creatures. The background is colored, top to bottom, in blue, yellow, and green. The print is signed and dated (l.r.) "Yves Tanguy 1947" and numbered (l.l.) "57/70" in pencil.
Yves Tanguy (French (culture or style))
Rhabdomancie
1947
Museum Purchase
1947/2.16

John Tunnard
South Polar Quadrille
1947
Museum Purchase
1954/2.49

Salvador Dali (Spanish (culture or style))
Ephemera Relating to Works by Salvador Dalí from the Julian Levy Gallery, New York
1941
Gift of the Betty Parsons Foundation
1986/1.181

Arshile Gorky (American (North American))
Manikin
1931
Museum Purchase
1948/1.352
This vertical print is bisected by four horizontal light blue squares approximately one third of the way up from the bottom. The second square from the left is joined by a square above and below so that all the liight blue squares create a horizontally oriented cross. Both inside and outside the cross-grid there are seven tan figures, who seem to be engaged in a variety of activities. There are a number of designs that move out from the cross, some related to what is pictured inside and some not. The print is signed and dated (l.l.) "Matta 47" and numbered (l.r.) "57/70" in pencil.
Roberto Matta (Chilean)
I Want To See It To Believe It
1947
Museum Purchase
1947/2.13
At the center of the print are two faceless figures. Located in the corner of room, near a door that is ajar, the one figure is standing barefoot and wearing draped clothing. The second figure sits to the left in cushioned chair; his legs and lower arms (below his elbows) are encased in brick facade; upper arms and body are columns. The seated figure wears a top hat that is outlined in blue and there are blue dots on their bodies. Bricks on the right side of body are brown. The print is signed (l.r.) "G. de Chirico" and numbered (l.l.) "28/100" in pencil.
Giorgio de Chirico (Italian (culture or style))
Il ritorno del figliol prodigo
1929
Museum Purchase
1948/1.336
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