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Between and Mortarboard


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Results for terms:Kirman

3 UMMA Objects (page 1/1)
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This fragment was possibly a waster since it does not have a firm base, nor does the glaze complement or enhance the faint design painted underneath. The first band of spiked forms immediately below the borken neck seems closer to the later 16th century Chinese derivatives. The second band is a Persian adaptation of numerous related designs which hang down from a border or protrude up from a base line. This border may be compared to the floral patterns on Kirman ceramics--the combination of narrow vines or stems and large leaf forms. The unusual effect of the glaze may be a common error in the firing of an iron based dull green glaze used for the Kirmani 'celadon'. It therefore seems logical that this piece is from 17th century Kirman. 
Iranian (Iranian)
Bulb-shaped bottle fragment
17th century
Museum purchase
1957/1.83
A blue and white platter. White porcellanous body with painting in blue under a clear glaze slightly tinged with blue-green.
Ali ibn al-Hajj Muhammad
Platter with an inscription from a Hadith [a saying of the Prophet Muhammad], signed by Ali ibn al-Hajj Muhammad
1600 – 1799
Transfer from the College of Architecture and Design
1972/2.158
Baked clay plate with vegetal motif. Paste is a gray-white porcelain, glaze is glossy with a few cracks. The plate was fired upright and contains cobalt on light gray-white colors. The plate is attributed to Kerman of the Safavid period. The swirling treatment of the vegetal forms reflect the Persian adaptation of Chinese wares that occured in this area. Also attributed to Kerman is the dark blue color used to define the painted areas without the hardegded precision of other production centers.
Iranian (Iranian)
Plate with vegetal design
1600 – 1799
Museum Purchase
1957/1.95
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