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Between and Mortarboard


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Results for terms:Cubist

21 UMMA Objects (page 1/2)
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This woodcut print has a small rectangular scene at the center depicting a large building. Thick lines in triangular patterns and patches make up the background of the scene. The print is signed (l.rl.) "Lyonel Feininger" in pencil by the artist. There is also a notation in pencil (l.c.) "T811<u>a</u>" and a stamp in black (l.r.) "Feininger Estate / G W No 30". 
Lyonel Feininger (American (North American))
Castle Church
1918
Gift of Gilbert M. Frimet
2008/2.356
Abstract recining female nude clearly influenced by the breaking down of form found in Braque's cubist work. Black ink is crosshatched to give depth and texture to the body and fabrics.
Georges Braque (French (culture or style))
Reclining Nude
1882 – 1948
Museum Purchase
1948/1.51
An abstract figure with anthropomorphic qualities stands to the left, with a wing-like object sweeping across the middle of the painting and into the right side, which holds a still life component.  The color scheme is predominently cool with warm accents throughout both the figure and the still life.
Jankel Adler
Figure and Still Life
1943 – 1953
Museum Purchase
1954/2.37
This screenprint has bands of black with white circles, squares, and triangles along top and bottom edge. A large yellow triangle takes up most of the right side, and other green, red, and pink shapes are throughout. The print has a studio stamp in black ink (l.r.) "herbin" and is numbered in pencil (l.l.) "148/150".
Auguste Herbin (French (culture or style))
Napoléon
1940 – 1950
Gift of Jack A. and Noreen Rounick
2004/2.66
This is an abstract composition of thin lines and shaded areas assembled loosely to form a pyramidal form. The word "fox," in all capital letters, appears on the right side of the print. 
Georges Braque (French (culture or style))
Fox
1911 – 1912
Museum Purchase
1949/1.169
Ink and gouache drawing in black, gray and white on tan paper with tall vertical structure at center of composition rendered in a series of quick vertical and diagonal lines.<br />
Albert Gleizes (French (culture or style))
Sur le Flat-Iron
1916
Gift of Herbert Barrows
2000/2.172
This black and white etching includes a sort of pyramid form, central to the image, with other smaller triangular forms towards the top. Along the bottom are several swirling forms. Faint cloud shapes appear throughout the background. The entire image is done with distinct cross-hatched etching lines.
Jacques Villon (French (culture or style))
La Main qui Châtie
1946 – 1947
Gift of Marvin Eisenberg in memory of Paul Grigaut
2003/1.361
This color lithograph has a bright yellow background with figures in red and white at the center. Horizontally oriented at the center is a large white semi-geometric creature with three heads—one at the bottom and two at the flanks—that is capped with horns and breasts. There is a red box-like figure in the background that has a horned head and a series of horns, wings, and flames emanating from it. The print is numbered, titled and signed (l.r.) in pencil: "no 57 - "Quetzal" / Wilfredo Lam".
Wifredo Lam (Cuban)
Quetzal
1947
Museum Purchase
1947/2.12
This drawing has sketches of women on both sides of the paper. The front (recto) image shows a seated woman with her hands in her lap and she faces forward. The reverse (verso) side shows another seated woman and also sketches of clothing. On the front, the artist has signed (l.r.) "R Dufy" in pencil.
Raoul Dufy (French (culture or style))
Studies of Seated Women
1905 – 1915
Gift of Gilbert Frimet
1986/2.77
An explosion of colorful forms suggests the human form in dynamic movement. Yellows and reds predominate in shapes that draw the eye toward the viewer's upper right where three roughy triangular yellow shapes suggest a head and upraised arms.
Gino Severini (Italian (culture or style))
Dancer (Danseuse)
1955
Gift of Mr. and Mrs. Homer Kripke
1967/2.43
At the center of the painting, two animals meet: a horse and a bull. Painted in a variety of colors, the two animals are abstracted in a Cubist style. The painting is signed (u.r.) in black paint "Bearden". 
Romare Bearden (American (North American))
Now the Dove and the Leopard Wrestle
1946
Transfer from the William L. Clements Library, University of Michigan, gift of Clarence Wolf, February 1997
2012/1.225
Lithograph print on white paper.  In the center, a very bulbous teapot, with a large conical mouth and protruding spout, is depicted in crude outline and filled in with patchy dark brown. To the right is a banana and the outline of an apple. A gray background fills the space around the objects and trails off into the white paper at the edges.
Georges Braque (French (culture or style))
Teapot, on gray background (Théière sur fond gris)
1947
Bequest of Florence L. Stol
1968/1.77
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