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Results for terms:Conceptual

45 UMMA Objects (page 1/4)
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A - Wooden Box - Notches on top of two sides for lifting the lid off. Lid Separate.<br />
B - Wooden Lid - Paired with wooden box (A). Notches in middle for lifting lid.<br />
C - Ceramic Bowl - Small round base with slightly ridged surface, more along the interior. Dark brown glaze that lightens around the top lip. Light semi-circle shape in glaze at bottom, on both the interior and exterior of the bowl<br />
D - Ceramic Bowl - Small round base with a slighly irregular top rim. Dark brown glaze with specks showing the lighter underglaze. Lighter glaze shows more along top of rim, in a semicircular shape along the rim that can be seen on the interior and exterior.<br />
E - Ceramic Dish - Four peaked feet on the underside, showing unglazed ceramic at tip of feet. Dark brown glaze with irregular specks and stippling showing lighter underglaze. Curved surface with four corners being the highest points. Bit of white material stuck to one of the feet.<br />
F - Small Ceramic Bowl - Ridged surface that curves outw
Theaster Gates
Little Box for Starving Artists
2013
Museum Purchase made possible by Joseph and Annette Allen
2014/2.1
Diptych of two square sheets of paper printed with words and lines. Left: Four lines along the diagonal divide the sheet into four triangles. The lines do not intersect in the middle, and stop just short of the corner of the paper. On each line are two words, one right side up, the other upside down. The “pairs” are (from center out, clockwise from top left): inner/ most; obtain/ clarity; come/ startle; replace/ toward. Right: A square is printed just inside the edges of the sheet. On each line are two words, one right side up, the other upside down. The “pairs” are (from top, left to right): lure/ handle; never/ given; random/ roam; diminish/ scale.
Robert Barry
Untitled
1976
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.221
Transfer type on square sheet of paper. Four lines divide the sheet into quadrants. The lines do not intersect in the middle, and stop just short of the edge of the paper. On each line are two words, one right side up, the other upside down. The “pairs” are (from center out, clockwise from top): aged/ fair; mess/ change; lovely/ private; trap/ hope.
Robert Barry
Untitled
1976
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.222

Richard Tuttle
Rendering of an Idea that Would be Painted on White Wall
1970
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.259

Richard Tuttle
Drawing of a Point in Summer
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.260
three aluminum-painted canvas panels joined in the back to form a square, with five inlays of Sculptmetal, zinc photographic plates and lead
Robert Morris
Untitled
1965
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.130
An installation piece that consists of a television monitor on a stand with a closed-circuit camera mounted on top. The lens is pointed directly off the top of the monitor, but there are mirrors suspended from the ceiling that change the camera's perspective.
Peter Campus (American (North American))
Kiva
1971
Gift of the Kammi and Brad Reiss Family
2013/2.83
LED display running time approximately 25 minutes with looping text of approximately 170 truisms in red text.
Jenny Holzer
Selections from Truisms
1983
Museum purchase made possible by the W. Hawkins Ferry Fund and anonymous individual benefactors
2006/1.151

Peter Hutchinson (British (modern))
Parícutin Volcano Project
1970
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.233
One of four paintings in the series Glasses (Double Twice Group). Skinny upright rectangle with rounded edges in dark pencil at center, filled in with sheer orange wash. Translucent mint green wash covers most of the orange, except for a strip visible at the top. The joining of two brushstrokes creates a vertical line of more pigmented mint green down the center. The colored areas extend beyond the penciled-in borders.
Lucio Pozzi
Glasses (Double Twice Group)
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.250
One of four paintings in the series Glasses (Double Twice Group). Skinny upright rectangle with rounded edges in dark pencil at center, filled in with sheer tan wash. Translucent mint green wash covers most of the tan, except for a strip visible at the top. The colored areas extend beyond the penciled-in borders.
Lucio Pozzi
Glasses (Double Twice Group)
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.251

Richard Tuttle
From Line to Point to No Point
1973
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.261
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