389 UMMA Objects
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There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
Pheasant
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.196
There are three ducks in the water. The first is facing forward and is sitting in the water with its feet completely submerged. The second is behind the first but is a little higher in the water and is pecking at its feathers. The third is the furthest behind and is standing in the water with its legs fully visible but its feet submerged, it is also pecking at its feathers. There are two signatures and two seals on the right side of the painting.
Nishiyama Kan'ei
Ducks
1884
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.198
There is a single camellia branch that points upward. It starts from the bottom of the painting and ends at the top. There are many twigs that jut branch out from the main branch that have leaves and flowers growing from them. There is a single bird sitting on the branch. There is a seal in the bottom right corner of the painting.
Nishiyama Kan'ei
Bird on Camellia Branch
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.205
There is a single camellia branch that points upward. It starts from the bottom of the painting and ends at the top. There are many twigs that jut branch out from the main branch that have leaves and flowers growing from them; the leaves have a presence in the painting because of their size and their detail. There is a single bird sitting on the branch. There is a seal and signature in the bottom left corner of the painting.
Nishiyama Kan'ei
Birds on Camellia Branch
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.207

Artist Unknown, India, Rajasthan, Jaipur School
Iconography series: Vishnu mounted on a blue bird
1835 – 1845
Gift of Professor Walter M. and Nesta R. Spink
1988/1.84
Bird made up of geometric shapes and designs in bright blue and red colors on green-yellow ground. 
Enric Climent Palahi (Spanish (culture or style))
Bird
1939 – 1958
Museum Purchase
1958/1.119
In the lower right corner of the image, the head of a man with dark hair and a mustache is seen from the back. He sits in an armchair, gazing up at a raven perched on the helmeted head of a white classical bust. The bust is placed atop the frame of a simplified door. A mass of quickly-drawn black slashes surround the raven, stretch down diagonally from the door frame into the space of the seated man.<br />
Signed recto, in plate, lower right, in image: "E. M."
Édouard Manet (French (culture or style))
Le Corbeau sur le Buste (The Raven on the Bust of Pallas Athena)
1875
Museum Purchase
1974/1.248

French (French (culture or style))
Brocaded Silk
1740 – 1760
The Paul Leroy Grigaut Memorial Collection
1972/2.256

J.P. Meillier et Cie de Beautrain
Aurora
1795 – 1810
The Paul Leroy Grigaut Memorial Collection
1972/2.329

Jean-Baptiste Huet (French (culture or style))
Offrande de l'Amour
1804 – 1810
The Paul Leroy Grigaut Memorial Collection
1972/2.335C

French (French (culture or style))
Le Tombeau de Voltaire
1785
The Paul Leroy Grigaut Memorial Collection
1972/2.340

French (French (culture or style))
Silk Fragment
1780 – 1800
The Paul Leroy Grigaut Memorial Collection
1972/2.239
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