3 UMMA Objects
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A three-quarter length angel, robustly carved in high relief, emerges from a cloud bank on the curved inner face of the console. The outer face of the console bears a tightly wound vine scroll carved in shallower relief with a bird at its center. The bird grasps the vine with its left leg while stretching back to grasp a cluster of grapes in its beak.
French (French (culture or style))
Console with bird in vine scroll, rinceau, and angel
1150 – 1175
Museum Purchase
1975/1.64
Engaged capital carved in grayish, coarse sandstone (arkose). The bell-shaped drum is decorated with a pattern of vine rinceau that encircles palmette leaves in a roughly symmetrical arrangement on each face of the capital. These ornamental plant forms are deeply undercut to highlight the pattern in sharp relief. A pair of volutes decorated with vertical striations springs from the vine rinceau in the upper portion of each face of the capital. A rosette enclosed in a circle appears at the top edge of the center of each face of the capital, above the point where the branches of the volutes diverge.
French (French (culture or style))
Engaged capital with vine rinceau, palmette leaves, and rosettes
1100 – 1125
Museum Purchase
1982/1.273
This capital, based upon the Roman composite order, features stylized acanthus leaves and rinceau on the bell of the capital, which terminates in a band of bead-and-reel motif on the astragal. This, in turn, is capped by an echinus decorated with three fleurons and vine rinceau on each face as well as four projecting volutes also decorated with rinceau and fleurons. Originally the bell of the capital had two tiers of acanthus leaves, but the capital has been cropped below the top of the first tier and the tips of the leaves, which once curved outward from the surface of the capital, have been sheared off.
Spanish
Capital from the palace-city of Medinat al-Zahara with stylized acanthus leaves, vine rinceau and fleurons
936 – 1010
Transfer from the College of Architecture
1979/2.1
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