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1484 UMMA Objects (page 1/124)
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Seifū Yohei III
Ovoid minature vase with black glaze
early 1880s - early 1910s
Bequest of Margaret Watson Parker
1954/1.511
An angel, draped with a flowing red mantle, descends on the left from a bank of clouds. He holds a scepter and twisting scroll in his left hand while he points with his right toward a white dove encircled by a halo of light that descends toward a woman dressed in long robes and a veil. She sits, holding a book open on the lectern before her, and draws back slightly with her right hand raised and her eyes downcast. Six cherubim sit above on the edge of the cloudbank, which opens to reveal a male figure barely visible in the blinding light that fills the cloud.
Juan de Vald
The Annunciation
1661
Museum Purchase
1962/1.99
This is a wide-bellied, small pot with slightly concave shoulders. The pot's mouth is slighlty wider than the foot. A black pattern is painted on a white surface: this complex, linear design starts with a very small triangular path and winds around itself again and again like a maze. Mazes meet to form eight-pointed intersecting star pattern.
Lucy Martin Lewis (Native American)
Miniature Olla
1950 – 1989
Anonymous Gift
1991/2.57

Indian (Indian (South Asian))
Equestrian figure
19th century
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1980/2.259
Red earthenware, flat bottomed bowl with rounded sides and thick rim, molded with wave pattern to exterior wall, covered in amber and green lead glaze, with iridescence and calcification.
Chinese (Chinese (culture or style))
Dish
25 – 220
Gift of F. Karel Wiest
1981/2.76
It has narrow flat base, globular body and straight neck. The color is dark grayish-blue.<br />
<br />
This is a dark gray, low-fired earthenware cup with a handle. The body is widest at its center, to which a semicircular handle is attached vertically. The entire body retains traces of rotation and water smoothing, while the lower part of the outer surface also retains traces of paring by rotating. The base is flat and has no foot.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 69]</p>
Korean (Korean (culture or style))
Cup with tiny handle
400 – 599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1982/2.54
Ceramic vessel with long narrow neck and no foot, lip or rim covered in an iridescent green glaze that covers most of vessel with exposed white-ish clay body at the bottom
Mary Chase Stratton;Pewabic Pottery
Vase
1909 – 1983
Gift of Miss Ann Cook
1983/1.151
Blue and white porcelain bowl with medallion designs and blue line surrounding the rim.
Chinese (Chinese (culture or style))
Blue and white porcelain bowl with medallion designs
1867 – 1932
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/1.206

Vili (Kongo) (Vili)
Maternity Figure
19th century
Museum purchase made possible by the Betty J. Lockett Memorial Fund; the Mary Kujawski Memorial Fund; and the Alfred E. Pernt Memorial Fund, in honor of Dr. of Technical Services Max H.J. Pernt and his wife Anna Pernt (née Mueller)
1993/2.66
The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.
Nicolas-François Chéron
Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)
1669
Museum Purchase
1984/1.284
White and amber glass (including carbochon pieces) are arranged in a horizontal composition of arabesque design.
Louis Comfort Tiffany
Window from Henry O. Havemeyer House, New York
1890 – 1891
University purchase 1930, transferred to the Museum of Art, 1986.146.2
1986.146.2
This painting shows the interior of a rustic house with a stone floor and rough rock walls. In the center foreground, a woman is crouched beside a wooden cradle. She has her arms around a sleeping baby whose face is highlighted by a ray of sunshine coming from an open window. Household items hang from the rafters and there is a spinning wheel beside her. A dog sits by an open hearth on the left. The color scheme is predominantly tones of brown, except for her red scarf, green shirt and the bluish purple of the hills seen outside the window.<br />
John Phillip
The Highlander's Home (Sunshine in the Cottage)
1855
Museum purchase made possible by the Alfred E. Pernt Memorial Fund in honor of Doctor of Technical Sciences Max H. J. Pernt and his wife Anna Pernt (née Mueller)
1986/1.188
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