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1376 UMMA Objects (page 1/115)
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This grayish-blue stoneware jar has a globular body, round base and straight elongated neck. A little wide single ridges encircle the middle of the neck, dividing it into three sections, each engraved with a wave pattern. The base has two ridges encircled on the below part and triangular holes.<br />
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This vessel was fired as a long-necked jar attached to the top of a bowl-shaped pedestal. The surfaces of the jar and pedestal display traces of natural glaze that was formed on the surface or flowed downwards. The long and slightly splayed neck of the jar is divided into three sections by raised bands, while each section is decorated with wave designs. The bowlshaped pedestal has a very shallow bowl section and a grooved edge. The pedestal has a flared profile and features triangular perforations in five places. Two raised bands surround the area below the perforations.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 56]</p>
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Korean (Korean (culture or style))
Round-bottomed jar with cover, fused to low ceremonial stand
400 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.167A&B
The convex lid has on its top a long knob which has three square perforations. The lid is decorated with vertical rows of gouged dots. The dish with a slightly inward-flaring and upright mouth is rather flat. The long and astragal-shaped foot is divided into two sections, each bearing three trapezoid perforations at alternating positions and decorated with wave design.<br />
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This is a grayish black, high-fired stoneware lidded stem cup. A thin incised line encircles the upper surface of the lid, above and below which are vertical rows of dots. The cup&rsquo;s flange slopes inward, while the gallery that holds the lid in place is very short. The lip of the lid that covers the cup flange is relatively long and has a grooved edge. The cup has a long, trumpet-shaped stem and two tiers of perforations. The stem splays in a straight line and is divided into two sections by bands. The upper section is perforated by three openings, while the lower section is perforated by three rectangular openings alternate
Korean (Korean (culture or style))
Pedestal Bowl with Cover
400 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.168A&B
The gray jar with a little long neck has a foot with rectangular perforations and is potted with fine silt-based clay. The relatively thin mouth is slightly everted. Three deep incisions encircle the midsection of the neck. The globular body is decorated with two incised line encircled the body. The foot whose bottom is rolled outward is a little high and wide.<br />
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The long and splayed neck of this blue-gray, high-fired stoneware jar is encircled by two sets of ridges. The set on the upper section of the neck has two ridges, and the set on the lower section has one ridge. The rim is narrow and round. The inner surface of the neck shows rough, uneven surfaces resulting from wheel throwing. The body is widest at its middle. The vessel surface has been smoothed by paring on a wheel after attaching the low pedestal. The pedestal shows six rectangular perforations.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 51]</p>
Korean (Korean (culture or style))
Storage Jar on cut-out pedestal foot
467 – 532
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.176
Large pedestal bowl with flaring mouth and base cut with evenly spaced triangular designs. Three side-by-side horizontal bands decorate the lip of the bowl, while six bands are spaced along the sides encompass the exterior of the bowl. In between these bands incised wavy lines stretch around the body horizontally.<br />
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This is a well-fired, dark gray, bowl-shaped vessel stand. A set of two thick raised bands encircles the stand just below the rim, and three horizontal ridges divide the surface of the bowl below the bands. The sections divided by these bands and ridges have been decorated with wave designs rendered using a four-tooth comb. The bowl has an everted mouth and a round rim. The pedestal is also divided by raised bands into sections decorated with wave designs. Each of the upper two sections features five triangular perforations, while the lower sections feature five triangular perforations alternately offset from those of the sections above. The inner and outer surfaces show faint traces
Korean (Korean (culture or style))
Large Pedestal Bowl or Stand
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.179
It has a flat base and straight body. The body is divided with incised lines and each section is embellished with a simple wave design. A pair of D-shaped handles is attached to the body. Its lid features a hemispheric body surmounted by a button-shaped knob.<br />
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This is a set consisting of a dark gray, high-fired stoneware bowl and its lid. The lid is crowned with a button-shaped knob at its center, which is encircled by two thinly incised lines drawn by a multitooth comb. These lines divide the lid&rsquo;s surface into inner and outer sections, to both of which wave designs have been applied. On each side of the bowl, a long, narrow, band-shaped handle is attached vertically and symmetrically. The base of the bowl is flat, while the part where the base and body of the bowl meet is rounded. The bowl gradually flares upwards. Three broad raised bands surround three parts of the body. A wave design is rendered between each band. Faint traces of paddled patterns are visible on parts of the base.
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Korean (Korean (culture or style))
Two-handled bowl with cover
400 – 599
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.182A&B
It has a little Flaring base with spherical food storage bowl on top. There are no holes in the base. The lid is attached with a knob-handle shaped like a button. There is no design on the lid but stained some part.<br />
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This is a dark gray, high-fired stoneware lidded stem cup. The stem cup features a shallow bowl, a low pedestal, and a separate lid with a ring-shaped knob. The shape of the lid resembles the Korean vowel &ldquo;ㅏ.&rdquo; The flange of the cup slopes inwards and has a round edge, while the gallery supporting the lid protrudes slightly upwards. The pedestal is surrounded by several raised bands, and its bottom edge is rounded. The outer surface shows traces of the potter&rsquo;s wheel and natural glaze in parts.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 64]</p>
Korean (Korean (culture or style))
Covered Pedestal Bowl
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.203A&B
<p>This bowl exemplifies early-tenth century celadon forms influenced by Chinese Yue ware. It has a halo-shaped foot (haemurigup), a characteristic of Yue ware. It is a high-quality celadon made from fine clay, coated by highly transparent glaze. Surface is plain while displaying crackles on its inner surface and parts of its outer surface. Many similar vessels were excavated from the Kilns no. 9 and no. 10 at Yongun-ri, Gangjin-gun, Jeollanam-do. Refractory spur marks created during firing remain in five places on the rim of the foot.<br />
[<i>Korean Collection, University of Michigan Museum of Art </i>(2014)&nbsp;p.88]</p>
Stoneware tea bowl with celadon glaze.
Korean (Korean (culture or style))
Tea Bowl
10th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.217
<p>The inner base and walls of this celadon dish are mold-impressed with a peony and peony scrolls, respectively. The low foot retains traces of quartzite supports in three places. The glaze is poorly fused, showing traces of its running, while partial oxidization has given the dish a yellow-green hue in parts.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.114]</p>
The rim of this celadon saucer is outward flared. Fine crackles are present throughout the surface of the saucer, coated with a dark bluish green glaze. It has glazed short foot with 3 spur marks and is molded peony design on wall and bottom. The exterior glaze color change due to over heating, fired in sagger that was not tightly closed.
Korean (Korean (culture or style))
Shallow flat-bottomed bowl with molded floral designs
1100 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.221
<p>This dish with a lobed rim was shaped with a mold. Inlaid on each lobed wall and at the center of its inner base with white slip are chrysanthemum spray design and a chrysanthemum floret, respectively. On the flat outer base remain three quartzite spur marks. The entire dish was glazed including the outer base; the state of sintering is good, while the glaze is pure and green. Crackles are spread throughout the inner and outer surfaces.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.116]</p>
Korean (Korean (culture or style))
Ten-lobed lotus saucer with inlaid floral patterns
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.232
Many black-glazed vessels of this type were produced in the areas of Jeongok-ri, Uijeongbu-si, and Yeoju-si in Gyeonggi-do in the late 19th and early 20th centuries. Made from coarse, colored clay, its black-glazed surface shines like that of porcelain. It has a lot of sand and bubbles on its surface, producing a rough texture, while fragments of other vessels have become embedded in its shoulder section during firing, but its glaze is well fused, producing a smooth sheen.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.211]
Korean (Korean (culture or style))
Bottle with globular body and funnel-shaped neck
1850 – 1899
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.242
<p>The lid of this jar is carved with lotus petal design, crowned with the knob shaped as a lotus bud. Three refractory spurs are stuck to the inside of the lid. The shoulder of the jar is decorated with a descending willow design inlaid with white slip. The entire foot and outer base are glazed, but it is poorly fused and rough with impurities stuck to it. The lid retains a celadon color, but the jar itself is a light gray hue overall.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.134]</p>
Korean (Korean (culture or style))
Covered Cosmetic Jar
1167 – 1232
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.243A&B
<p>This bowl dates from the 14th century when the beauty of the decoration was highly valued more than basic color. It is covered with inlaid designs on both the inner and outer walls. On its inerior rim are inlaid foliage scrolls in white, while the inner wall is decorated with black-and-white inlaid cranes in four places against the background filled with inlaid clouds. At the center of its inner base is also inlaid a chrysanthemum enclircled by a double line, which is then bordered with a row of yeoui-head design. The glaze on the outer surface is poorly fused, and has been entirely repaired.<br />
[<em>Korean Collection, University of Michigan Museum of Art (</em>2014) p.122)<br />
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Korean (Korean (culture or style))
Wine cup with inlaid design of cranes flying among clouds
14th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.247
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