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Copyright
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I-S Va 4 (Six Variants)

Accession Number
2011/1.116

Title
I-S Va 4 (Six Variants)

Artist(s)
Josef Albers

Artist Nationality
American (North American)

Object Creation Date
1969

Medium & Support
screenprint on Arches

Dimensions
29 1/4 in. x 37 1/4 in. x 1 in. ( 74.3 cm x 94.62 cm x 2.54 cm )

Credit Line
Gift of Dr. Seymour and Barbara K. Adelson

Label copy
Josef Albers
To open eyes: this was the stated goal of Josef Albers in his teaching and his art. His particular interest was opening our eyes to the interactions of color. In art he produced from the 1930s through the 1970s, Albers used specific constellations of forms—nested squares or, as here, an array of rectangles—executed in an infinite combination of colors to demonstrate how colors advance, recede, and bend when juxtaposed in different ways. He believed that “when you really understand that each color is changed by a changed environment, you eventually find that you have learned about life as well as about color.”
The particular arrangement of rectangles in the three prints on display is based on Albers’s observations of adobe houses in Mexico and the southwest. Josef and his wife Anni emigrated to the United States in 1933—both Josef and Anni taught at the Bauhaus before emigrating—and soon after they visited Mexico. The color and culture they found there made such an impression that they visited frequently, often for months at a time, and both of them incorporated Mexican references into their subsequent work. Some of Albers’s early adobe paintings have subtitles such as Southern Climate or Luminous Day while others are called simply Adobe Variant. The connection to the southwest is a serendipitous one: the current placement of these prints is across the corridor from a painting of, and pottery from, that corner of the United States.
The donors of these prints, Dr. Seymour and Barbara Adelson, have been generous to UMMA over the last six years, gifting nineteenth- and twentieth-century prints and photographs from Europe, the US, and Japan. The nearly eighty exceptional works of art from these informed and enthusiastic collectors have markedly enriched the UMMA collection.
Pam Reister
Curator for Museum Teaching and Learning
For a more in-depth look at recent acquisitions, please visit the exhibition
Recent Acquisitions: Curator’s Choice upstairs in the A. Alfred Taubman Gallery II.
[label text]
Josef Albers
United States, 1888–1976
I-S Va 2; I-S Va 4; I-S Va 5 from Six Variants Portfolio
1969
Screenprints on Arches paper
Gift of Dr. Seymor S. and Barbara K. Adelson, 2011/1.116–118

Physical Description
Geometric abstract rectangular arches in shades of red and orange

Primary Object Classification
Print

Primary Object Type
abstract

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Abstract (fine arts style)
arches
geometric abstraction

& Author Notes

All Rights Reserved