Tyree Guyton Untitled (bird cage, re-lynching) 1980 – 2010 metal bird cage stand, American flag, rubber elements, metal bell and rectangular-shaped screen | Gift of H. David Zucca 2013/2.312
Tyree Guyton Untitled (Paint Cans) paint cans, wooden crate, American flag, rearview mirror, and ceramic figurine 33 1/2 in x 28 1/8 in x 12 in (85.09 cm x 71.44 cm x 30.48 cm) Gift of H. David Zucca
Masimba Hwati Ngoromera 2020 brass, iron, copper, carbon steel, plastic | Museum purchase made possible by the University of Michigan Office of Diversity, Equity, and Inclusion, and the Director's Acquisition Committee, 2020 2020/2.2
Jess T. Dugan Collin at sunset 2020 photograph | paper Museum purchase with funds from the Estates of Robert Metcalf and James van Sweden, by exchange 2022/1.53.7
Yinka Shonibare Untitled (Dollhouse); from the 2002 Peter Norton Family Christmas Project 2002 resin, plastic, wood, paper and fabric The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the National Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services 2008/2.256
Ayana V. Jackson Cascading Celestial Giant I 2019 archival pigment print | German etching paper Museum purchase made possible by the Director's Acquisition Committee, 2021 2021/1.167
Ayana V. Jackson Cascading Celestial Giant II 2019 archival pigment print | German etching paper Museum purchase made possible by the Director's Acquisition Committee, 2021 2021/1.168
Betye Saar Colored mixed media assemblage with photographs, paper, and thread on wood 14 ½ in x 30 in x 1 ½ in (36.83 cm x 76.2 cm x 3.81 cm);10 in x 5 in x ½ in (25.4 cm x 12.7 cm x 1.27 cm) Museum purchase made possible by Dr. James and Vivian Curtis and the W. Hawkins Ferry Fund
United States, 1834–1884 Frederick Douglass 1876 Albumen print photograph, autographed William H. Brearley Photograph Album On loan from the University of Michigan Clements Library
After escaping slavery, abolitionist leader Frederick Douglass (1818– 1895) pioneered the idea that photography could create new images of African Americans, allowing them to regain agency and craft their likenesses in ways that were formerly impossible. Douglass recognized that existing photographic representations of African Americans were often one-sided racist caricatures perpetuated by their white creators. His “Pictures and Progress” lectures, first given in 1861, set out his revolutionary visions for photography and social reform. In his lifetime, Douglass was photographed more than any other person in nineteenth-century America. While the images closely document his curated visual transformations, Douglass unfailingly presents himself as an honorable and sophisticated subject. Scholar Henry Louis Gates has called this an unprecedented representation of a Black man “clothed in his own form.”