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World War II Liberation, Limousin, Haute-Vienne, Oradour-sur-Glane, France

Accession Number
2014/2.323

Title
World War II Liberation, Limousin, Haute-Vienne, Oradour-sur-Glane, France

Artist(s)
Henri Cartier-Bresson

Artist Nationality
French (culture or style)

Object Creation Date
1944

Medium & Support
gelatin silver print on paper

Dimensions
6 3/8 in x 9 1/2 in (16.19 cm x 24.13 cm)

Credit Line
Gift of Thomas Wilson '79 and Jill Garling '80

Subject matter
In this photograph, a priest (identified as such by his black cape and tricorn cap) directs his companions eye toward the rubble of a destroyed church in Oradour-sur-Glane, France. The village was largely destroyed and much of its population massacred by Nazi forces in June, 1944. The priest's pointing gestures can be read both as an indication and an indictment of Nazi atrocities committed against French civilians. Henri Cartier-Bresson is known for “the decisive moment,” the fleeting time in which a photographer must make an instantaneous decision. Cartier-Bresson began photographing seriously in 1930, acquiring a Leica camera, which was used throughout his career photographing some of the 20th century’s most important events. Cartier-Bresson co-founded Magnum Photos with Robert Capa, David Seymour, and George Rodger. After 1970, Cartier-Bresson turned to drawing, photographing only occasionally.

Physical Description
A photograph of a church destroyed by a bomb. A man in the right foreground points toward an arch.

Primary Object Classification
Photograph

Collection Area
Photography

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
arch components
churches (buildings)
cloaks
hats
men (male humans)
rubble
ruins
war photography

4 Related Resources

Christian Churches
(Part of 2 Learning Collections)
Religious Buildings
(Part of 2 Learning Collections)
Objects from Aftermath: Landscapes of Devastation
(Part of: <b>Aftermath: Landscapes of Devastation</b>)
World War II Images 
(Part of: Examples of Student Research in the Exchange)

& Author Notes

All Rights Reserved