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F19 Fisher - AMCULT 498 - Fakes, Phonies, and Copies: Originality in a Digital Age

Andy Warhol
Campbell's Soup I, Tomato
1968
screenprint | paper
Gift of Frances and Sydney Lewis
1969/1.90
An open cigar box with the lid showing. The open lid has six heads of figures, of them wearing tall hats and some with torsos. The text "Dutch Masters" is above their heads and behind them is more text that is made illegible by their heads. A row of cigars in the box is below the figures. Two in the middle have a decorative element. The front of the cigar box is visible and shows five figures' heads and torsos. To the right is the text again, "Dutch Masters." Both this piece and the oil on canvas version by the same title were created in 1963 so it is possible this one is a proof for the final edition.
Larry Rivers
Dutch Master
1963
graphite, colored crayons and collage | paper
Gift of Herbert Barrows
2000/2.252
Can of Campbell’s Pepper Pot Soup with Andy Warhol’s signature in black felt-tip pen on lower left front of can.
Andy Warhol
Campbell's Soup Can—Pepper Pot
1961 – 1971
ink | can of Campbell's soup
Gift of Professor Walter M. and Nesta R. Spink
1988/1.86
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck.  An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed.  All subjects look directly at the viewer.
Mel Ramos
Manet's Olympia
1974
collotype | wove paper
Gift of Dr. Reuven Bar-Levav
1991/2.102.1
This print is a colorful image of a sink filled with green water. At the center, there is a miniature boat that floats in the water. On the counter-space of the sink at the back, there sits various toiletries such as mouthwash, perfume, toothbrushes, and a razor. Almost out of the frame, a red washcloth hangs off the left edge of the sink. The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "AP 24/75" in pencil.
Doug Webb
Urban Daydream II
1985
screenprint | paper
Gift of Jack A. and Noreen Rounick
2005/1.415
This print shows a landscape with a mountain rising in the middle of the background. There are trees and grass in front, and a body of water in the foreground. At the center, on the edge of the water, sits a faucet, a razor, and a toothbrush in a clear glass as if the body of water is a sink.<br />
The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "197/275" in pencil.
Doug Webb
Cleanliness is Next to Godliness
1980 – 1990
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.40
Robert Rauschenberg
Flirt
1979
serigraph and collage | paper
Gift of Dr. & Mrs. J. Robert Willson
1983/1.137
A nude woman and boy are intertwined in an embrace. She is kneeling with her right arm raised and bent, finger pointing upwards, and the boy reaches around her and fondles her breast. The woman is holding a gold sphere in her left hand and they are on a pile of textiles. 
Dotty Attie
Mother's Kisses
1982
lithograph | paper
Museum Purchase
1993/1.115.1
William Hogarth
A Rake's Progress. Plate III (He revels)
1735
etching and engraving | paper
Gift of Jean Paul Slusser
1962/1.109
Image of a book lying open to a page featuring a painting of Christ after the crucifixion. A newsclipping featuring a photo of a body-bag being lowered into the grave lies on the book across the open page.  
Joanne Leonard
Ebola and Christ
2014
inkjet print | paper
Gift of the artist
2016/2.163
A photograph of a female head made of pasta and marinara sauce printed on a porcelain plate. On verso, the plate is numbered &quot;39;&quot; it is labeled part of &quot;The Peter Norton Family Christmas Project&quot; and dated 1999; the manufacturer is labeled &quot;Made in Bernardaud in Limoges, France;&quot; and, below, it reads &quot;Lead Free Dishwasher Safe.&quot;
Vik Muniz
Untitled (Medusa Marinara)
1999
photograph | glazed porcelain
Gift of the Peter Norton Family Foundation
1999/1.108

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Last Updated

September 4, 2019 1:43 p.m.

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