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W19 Tsai - INTLSTD 385 / LACS 321 - Indigenous Communities versus Globalization in South America

Seven faceless men are shown on horseback riding through a jungle. They have weapons and a dog is leading their group.
Armando Morales
Sandino en la montana
1993
lithograph | paper
Gift of the Blanton Museum of Art, The University of Texas at Austin
2011/1.96.1
An image of a boy, man, and woman atop a maroon motorbike which appears to be in motion. They travel on a paved road through a plain. 
Peter Turnley
A Bolivian Family Drive in the Highlands Near Oruro, Bolivia, 2006
2006
archival pigment print | paper
Gift of David and Jennifer Kieselstein
2016/2.505
Manuel Carrillo
Woman Against Wall Eating, and Feeding Baby
20th century
gelatin silver print | paper
Gift of Mr. & Mrs. Arnold M. Gilbert
1981/2.10
Leopoldo Méndez
Ixtaccíhuatl
1903 – 1958
linoleum cut | paper
Museum Purchase
1958/1.106
Centered on the page, this print shows two figures dressed in long robes. One figure wears a blue robe with maroon circles and the other is the opposite. Each faceless figure, carries a knife in one hand. On their heads are headdresses with a black cap and large white half-moon shape attached. The figures look like they are in motion.
Carlos Mérida
Danza de la media luna
1937 – 1939
lithograph | paper
Museum Purchase
1944.2
A skeleton, with a rifle strapped to his back and a flag of the skull and crossbones in his hand, rides a horse over 13 skulls. The skeleton is wearing a sombrero and he has a handlebar mustache. 
José Guadalupe Posada
Calavera Zapatista
1910 – 1913
relief engraving | metal
Museum Purchase
1958/1.123
Elliott Erwitt
People and Statues on Beach, San Juan, Puerto Rico, from "Recent Developments"
1978
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.175.3
This print shows a black and white skull on a hairy, insect-like body with a tail and six legs. The figure holds another skull in its right hand and a bone in its left hand. Other smaller skulls and bones surround the figure.
José Guadalupe Posada
Calavera Huertista
1905 – 1915
relief engraving | paper
Museum Purchase
1958/1.122
Marten de Vos;Maarten de Vos
Allegorical Representation of 'America'
1594 – 1600
pen and black ink with ink wash | cream-colored paper
Museum Purchase
1960/2.24
Enrique Chagoya
UtopianCannibal.org
2000
color lithograph, woodcut, chine collé, and collage |
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
2001/2.81
Francisco Mora
Silver Mine Worker, from 'Mexican People'
1942 – 1952
lithograph | paper
Museum Purchase
1992/1.124.8
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text "Mendez" and "1945" is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city. 
Leopoldo Méndez
Lo que puede venir
1945
woodcut | paper
Museum Purchase
1949/1.181

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Last Updated

January 22, 2019 3:23 p.m.

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