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Borders of Identity in North America

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Ansel Adams
Canyon de Chelly National Monument, Arizona
1942
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1985/1.153
Laton Alton Huffman
The Hat X Camp, General Round-up
1904
colotype print | paper
Gift of Dr. and Mrs. Michael Fauman
1983/2.64
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Ansel Adams
The Tetons and the Snake River, Grand Teton National Park, Wyoming
1942
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1982/2.74
Laton Alton Huffman
Cutting Out a Steer
1854 - 1931
colotype print | paper
Gift of Dr. & Mrs. Michael Fauman

1983/2.53
Laton Alton Huffman
Saddling the Wild Horse
1894
colotype print | paper
Gift of Dr. & Mrs. Michael Fauman

1983/2.62
A team of seven people on horses and a dog cross the desert. They appear small compared to the vast rocky landforms behind them.
Edward S. Curtis
Canyon de Chelly
1904
orotone | glass
Museum purchase made possible by the W. Hawkins Ferry Fund
1999/1.96
A woman kneeling in a rocky landscape. She is near a stream with a vessel for water in her hands. She wears her hair in long braids and a cloth on her forehead.
Edward S. Curtis
Water Baskets—Wishham
1909 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.206
This is a portrait of a young woman against a plain, dark backdrop. She wears a draped cloth garment, strands of beadwork looped around her neck. Her hair is cut in a short style with blunt, thick bangs covering her forehead. 
Edward S. Curtis
Póvi-Támuⁿ ("Flower Morning") - San Ildefonso
1925 - 1926
photogravure | paper
Gift of Stephen M. Taylor
1997/1.159
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Andy Warhol
Birmingham Race Riot
1964
screenprint | paper
Gift of Graham and Marianne Smith
1986/1.194.5
In the foreground there is a horizontal white fence. Behind that are two mountains that overlap eachother in the center of the image and a larger mountain in the back that is in between the two. The mountain in the back is darker because of the cloud cover above.
Steve Crouch
Hills, Bitterwater Valley, Gabilar Rouge, California

gelatin silver print | paper
Gift of Margaret and Howard Bond
2012/1.238
Photographed from ground level, this image depicts a wide view of a valley floor surrounded by tall cliffs on either side.
Carleton Emmons Watkins
Down the Valley, Yosemite, California
1855 - 1866
albumen print | paper
Gift of Margaret and Howard Bond
1997/1.173
Laton Alton Huffman
Jennie Wallace, Crow Girl
1880 - 1905
toned gelatin silver print | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.216

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American culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Cultural exchange — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Gender — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Intersectionality — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
North america — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Social class — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
Social inclusion and exclusion — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)
U.s. culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:05 pm)

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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

October 16, 2017 3:55 p.m.

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