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Part of: Teaching American Studies at UMMA (47 resources )
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Teaching American Studies at UMMA

The UMMA collections are often used by classes organized under the "American Studies" heading. This collection contains portfolios in this vein, as well as additional materials that may be of use for university faculty and UMMA staff.



Copyright
All Rights Reserved
Created by
Rachel Lockwood Miller
Last Updated
February 7, 2020 4:05 p.m.

47 Items in this Learning Collection
Manifest Destiny and the American West, 1850-1950

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.


Beige bowl, wider at the top, with a rim formed in a braided pattern.
Collection with 5 items
W16 Steward - HISTORY 197 - Crossing the Color Line
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
Recreation, Leisure, and Sport in Twentieth- and Twenty-First-Century America

Resource with 130 media
Sp16 Morales - AMCULT 204 - Race and Nation in Film Genres
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 22 media
F12 Howard - AMCULT 103 - Understanding Everyday Life
This is a line drawing on white paper. There is a hatchet, an oblong box with a dark line around the middle and the words, "thousands of dollars". The drawing is signed and dated (l.r.).
Resource with 17 media
School and Education in the U.S.

Resource with 24 media
F16 Mora - AMCULT 213 / LATINOAM 213 - Introduction to Latina, Latino Studies
A photograph of a view from a rooftop. A man stands on the left side of the composition, watching pigeons fly above the scene. In the distance, more pigeons flock above the skyline.
Resource with 19 media
W15 Carroll - AMCULT 698 - Methodologies in American Culture: Gender, Ethnicity, Race, Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 17 media
Politics, and Social Reform in the US, 1901-1950

Resource with 234 media
F13 Gunckel - AMCULT 335 - Arts and Culture in American Life
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Radicalism

Resource with 66 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
W16 Peplin - SAC 376 - New Media Theory
This vertical print shows a slick advertising image in the top half with a man and a woman watching an early model television set. The woman is smoking a cigarette. A text box is inserted asking three questions. The bottom half is less slick, simply a diagram and text, some of it in a typewriter font. Text above and below asks about how soon television sets will be widely available in homes and museums. The date 1944 is included in parentheses at the top of the image.
Resource with 24 media
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
W16 Calvo-Quiros - AMCULT 103 / LATINOAM 103 - Car Culture

Resource with 20 media
Sp15 MacGillivray - AMCULT 204 - Historical and Contemporary Perspectives on Gender and Sexuality in North American Borderlands
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Resource with 19 media
U.S. Wars
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Resource with 67 media
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 17 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
W15 Suhadolnik - RCHUMS 251 - Sounds of New York: Music and Place in an Urban Landscape
This black and white stereoscopic image features two images of a man with a large camera seated on a slender line high above Fifth Avenue in New York City. It is surrounded by the text: Set No. 8; Underwood &amp; Underwood, Publishers, Unique; 8288—Photographing New York City—on a slender support 18 stories above pavement of Fifth Avenue.
Resource with 14 media
W16 Miller - ENGLISH 362 - U.S. Modernism in Word and Image
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Resource with 18 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
Southern Landscapes and Cityscapes
A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the photograph is toned with tea, giving it a light brown-peach color. 
Resource with 36 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
F15 Steward - HISTORY 230 - The Roaring Twenties and the Rough Thirties: America During the Interwar Years
View of a storefront with people sitting in front on benches and entering the shop through a doorway.
Resource with 19 media
F15 Mora - AMCULT 366 / WOMENSTD 366 / HISTORY 353 - Sex and Sexuality in U.S. Popular Culture
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 10 media
History of New Media 

Resource with 168 media
W14 Carroll - AMCULT 311 / LATINOAM 311/ ENGLISH 317 - Borderwork: Representing the Mexico-U.S. Border
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Resource with 21 media
F16 Markovits - POLSCI 386 / SOC 379 / GERMAN 379 - Sports, Politics, and Society
This costume design shows a dancer leaning back to the right with a golf club in the right hand. The dancer wears a white top with short sleeves and yellow culottes with brown and black trim at the waist and along the side of the left leg.
Resource with 18 media
F15 Carroll - AMCULT 301 / LATINOAM 301 / ENGLISH 407 - Codeswitch: Hybrid identities in American culture.
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br /> Eva Caston 2017
Resource with 26 media
W15 Chamberlin - ENGLISH 317 - Rust Belt Narratives
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
Resource with 10 media
W16 Chamberlin - ENGLISH 317 - Rust Belt Narratives
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 15 media
Sp15 Hass - AMCULT 231 - Visual and Material American Culture Studies
The photograph is a portrait of a girl in a straw hat standing in front of a wooden fence.
Resource with 24 media
Essay: Warhol, Roberson
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Resource with 3 media
Weems, Saar, Campos-Pons Essay
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 2 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Glenn Ligon Essay    
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 5 media
W15 Levinson - COMPLIT 122 - Insiders and Outsiders

Resource with 19 media
Romare Bearden Essay
At the center of the painting, two animals meet: a horse and a bull. Painted in a variety of colors, the two animals are abstracted in a Cubist style. The painting is signed (u.r.) in black paint "Bearden". 
Resource with 1 media
Sp16 Shapero - ANTHRCUL 298 / ENVIRON 242 - Nature vs. Culture? Anthropological Perspectives on Environmental Conflict

Resource with 23 media
Essay: Cunliffe, Washington, Lincoln, and Douglass
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
Resource with 8 media
Orozco, Rivera, Siqueiros Essay
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Resource with 4 media
Early Modern Atlantic World
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.
Resource with 35 media

F12 Howard - AMCULT 103 - Understanding Everyday Life

This is a line drawing on white paper. There is a hatchet, an oblong box with a dark line around the middle and the words, "thousands of dollars". The drawing is signed and dated (l.r.).
Jean-Michel Basquiat
Thousands of dollars
graphite on paper
24 in x 18 in (60.96 cm x 45.72 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
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This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
colored crayons on paper
24 in x 18 in (60.96 cm x 45.72 cm);24 in x 18 in (60.96 cm x 45.72 cm);28 in x 23 in (71.12 cm x 58.42 cm)
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
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Andy Warhol
Campbell's Soup I, Chicken Noodle
screenprint on paper
35 1/4 x 21 11/16 in. (89.5 x 55 cm);31 15/16 x 18 5/8 in. (81 x 47.3 cm);40 x 28 in. (101.5 x 71 cm)
Gift of Frances and Sydney Lewis
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Bruce Davidson
Untitled (Child with a Doll Carriage), from "Welsh Miners"
gelatin silver print on paper
16 in x 19 15/16 in (40.64 cm x 50.64 cm)
Gift of Mr. and Mrs. Douglas M. Kenyon
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Hana Hamplová
Untitled
gelatin silver print on paper
23 1/16 in x 23 1/8 in (58.58 cm x 58.74 cm)
Gift of Mrs. Marion Hrebek Keys
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Algimantas Kezys
Figure and Squares, Toronto, Canada, from "Society's Man"
gelatin silver print on paper
23 7/8 in. x 20 5/16 in. ( 60.6 cm x 51.6 cm )
Gift of Dr. Milda Budrys
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Bruce Davidson
Untitled (Bride and Groom in a Landscape), from "Welsh Miners"
gelatin silver print on paper
16 in x 19 15/16 in (40.64 cm x 50.64 cm)
Gift of Mr. and Mrs. Douglas M. Kenyon
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Elliott Erwitt
Wilmington, North Carolina, from "Master Prints Volume II"
gelatin silver print on paper
19 15/16 in x 23 15/16 in (50.64 cm x 60.8 cm);21 15/16 in x 27 15/16 in (55.72 cm x 70.96 cm)
Gift of Mr. Clayton E. Wilhite
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James Crawford
Detroit's Garland Stove
photosilkscreen on paper
29 15/16 in. x 22 5/16 in. ( 76 cm x 56.7 cm )
Gift of Detroit Workshop of Fine Prints
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This print is separated into four horizontal registers of images and text, all printed in pink and black. At the top there is text that reads "COLOR AND ORGANIC / Permanent Institution.. Riding the Rolls. Reward of the Oppressed.. Whither?.. Traitors to France.. Toward Insurrection.. New Semester.. Frank Lloyd Wright Says.. Tough Times.." Below is a series of photographs of a man in a suit putting make-up on a woman with bare sholders and her hair pulled back. The second register has one large image of two men at a factory, manufacturing children's dolls. Below that, there is one cropped scene of people of various ages standing in line. The bottom row of images includes four images on the left, of a man taking photographs of a girl and a puppy in a bubble bath and three images on the right of an oven, open, closed and with someone putting steaks inside. 
Sir Eduardo Paolozzi
Frank Lloyd Wright says...Tough Times
photolithograph on paper
14 15/16 in x 10 in (38 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
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This print has three main images all printed in a monochromatic grey. At the top is an image of a man, in a tweed coat and fur hat, polishing a motorcycle. The scene is from a pier. The sign says "GANGWAY 1," with the ocean and the Statue of Liberty in the background. The central image is a detail of the face of the Statue of Liberty, with a small boy visible in her crown. The bottom image is more abstracted shapes from a dot-matrix image.
Sir Eduardo Paolozzi
Fifty Nine Varieties of Paradise
photolithograph on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick
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Empty beach with volleyball net set up.
Harry Callahan
Cape Cod
gelatin silver print on paper
11 in x 14 in (28 cm x 35.56 cm);16 in x 20 in (40.64 cm x 50.8 cm);11 1/8 in x 14 in (28.2 cm x 35.6 cm)
Museum Purchase
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Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 11:54 am)
Cultural criticism — by seth@whirl-i-gig.com (February 13 2017 @ 11:54 am)
Daily life — by seth@whirl-i-gig.com (February 13 2017 @ 11:54 am)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 11:54 am)
University class selection — by seth@whirl-i-gig.com (February 13 2017 @ 11:54 am)

Part of 1 Learning Collection
W16 Peplin - SAC 376 - New Media Theory
<p>History of new media</p>
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
<p><span style="font-size: 14px;">History of wester...
Essay: Warhol, Roberson
<p>Understanding Race Essay by Angela Perez-Villa</...
Weems, Saar, Campos-Pons Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Glenn Ligon Essay    
<p>Understanding Race Essay by Angela Perez-Villa</...
Romare Bearden Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Essay: Cunliffe, Washington, Lincoln, and Douglass
<p>Understanding Race Essay by Pamela Reister</p>
Orozco, Rivera, Siqueiros Essay
<p>Understanding Race Essay by Angela Perez-Villa</...

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David M Choberka
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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

February 7, 2020 4:05 p.m.

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