Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard

UMMA Object Specific Fields

Query builder

Tsuba (Sword guard) with design of dragon among clouds

Accession Number

Tsuba (Sword guard) with design of dragon among clouds

Okada Masatoyo

Object Creation Date
19th century

Medium & Support
iron with gold and silver inlays

2 15/16 in. x 2 5/8 in. x 3/16 in. ( 7.4 cm x 6.7 cm x 0.4 cm )

Credit Line
Gift of Mr. and Mrs. Robert T. Weston

Label copy
Tsuba are intended to protect the user’s hand, first by shielding it against a blow from the opponent’s blade, and second by preventing it from slipping onto the razor-sharp edge of the weapon being wielded. Until the early seventeenth century, simply designed iron tsuba were dominant, as seen in the example here bearing a mushroom motif. When the Tokugawa regime required samurai warlords to travel regularly to the capital, Edo, and mandated that their wives and children reside there, considerations of urban fashion became more influential than battlefield practicalities in samurai attire and accessories. The tsuba became more an object of display than a functional item—a trend that further intensified when affluent merchants were permitted to carry swords in public and also began to demand attractive tsuba.
As is well represented by this collection, there was great artistic creativity at play in tsuba-making during the Edo period. The newly developed shakudô (a copper–gold alloy of a lustrous purple–black color) was used to create relief designs. Openwork chiseling was a versatile method for creating dramatic representations of family crests or light, airy, and elegant plant motifs.
(Label for UMMA Japanese Gallery Opening Rotation, March 2009)

Subject matter
Tsuba (sword guard) is inserted between a sword handle and blade to protect hands from sharp blades. The center hole is where the sword is placed. A smaller hole on the left is to place an ornamental stick, kozuka. Another hole on the right is to insert kougai, spatula-like sticks which are said to be used for itching hair underneath hats or helmets. The dragon is a popular motif in Eastern Asian culture. In Chinese tradition, the mythical creature is associated with the eastern direction and blue-green color. The dragon was also linked with water (oceans, rivers, mist and clouds), symbolizing the dark, wet, and nurturing female qualities of in-yô (Chinese: yin-yang) cosmology. Thus, the animal is often accompanied with some form of water; in this case, clouds. Japan took from China the habit of associating the dragon with the imperial institution, Buddhism, and the virtue of vigilance. (Reference: Baird, Merrily. Symbols of Japan)

Physical Description
The flat iron plate with quatrefoil shape and the design of a dragon in midst of clouds. It has three holes: one for blade (middle) flanked by two deformed oval-shape holes (for kougai and kozuka). Around the blade hole, there is the carver’s signature. The design of a dragon, among stylized clouds, is intricately carved in high relief; the dragon has almost three-dimensional quality. On the back, the dragon tail, some parts of the body, one claw are peeking from clouds. The dragon coils around the center holes. The rims of the three circles are wavy, as if they are the part of the cloud design. The stoppers on the blade hole edges are made of gold. Some silver inlays are applied on the dragon’s eye blow and some nails.

Primary Object Classification
Arms and Armor

Primary Object Type
sword guard

Additional Object Classification(s)

Collection Area

If you are interested in using an image for a publication, please visit for more information and to fill out the online Image Rights and Reproductions Request Form.


3 Related Resources

(Part of 2 Learning Collections)
Japan Pax Tokugawa 1600-1868
(Part of: Empires and Colonialism)
(Part of 5 Learning Collections)

& Author Notes

All Rights Reserved