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Between and Mortarboard


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A collection of early modern and modern prints that demonstrates the range of techniques and print media

17 Items in this Learning Collection
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Copyright
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Builders (The Family)

Accession Number
1997/1.532

Title
Builders (The Family)

Artist(s)
Jacob Lawrence

Object Creation Date
1974

Medium & Support
screenprint on paper

Dimensions
34 in x 25 3/4 in (86.36 cm x 65.41 cm);29 15/16 in x 22 1/8 in (76.04 cm x 56.2 cm);38 3/4 in x 28 in (98.43 cm x 71.12 cm)

Credit Line
Gift of Dr. James and Vivian Curtis

Subject matter
Lawrence is best known for his "Migration of the Negro" series, a precursor to this work, which launched his career with its exhibition at the Downtown Gallery in NYC (1941). With this show, he became the first African American artist to be represented by a major commercial gallery. Builders (The Family) was produced while he was a Professor of Painting at the University of Washington in Seattle. This print is a later additon to his career-long series of works featuring builders, and it reflects his turn in the 1970s away from more explicit social commentary. From the mid-1940s until the 1990s, the focus of many of Lawrence's paintings and prints was builders. For him, builders served as symbols of man's aspiration— "man building", as he described it.

Physical Description
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  

In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.

Primary Object Classification
Print

Primary Object Type
color print

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form. Keywords
African American
builders
children (people by age group)
construction sites
families (kinship groups)
ladders
men (male humans)
modern and contemporary art
saws
women (female humans)

75 Related Resources

Artists of the Harlem Renaissance
(Part of 11 Learning Collections)
Borders of Identity in North America
(Part of 12 Learning Collections)
Children and Childhood
(Part of 7 Learning Collections)
Families
(Part of 5 Learning Collections)
Fatherhood
(Part of 4 Learning Collections)
Mothers and Children
(Part of 10 Learning Collections)
Race, Gender, Class, and American Identity
(Part of 10 Learning Collections)
W16 Steward - HISTORY 197 - Crossing the Color Line
(Part of: Teaching American Studies at UMMA)
Lawrence, Guyton Essay
(Part of: Understanding Race)
Jacob Lawrence, Hiroshima Series 
(Part of 8 Learning Collections)
F17 van den Bulck - COMM 490
(Part of: Social Science Approaches to Celebrity Research, Introduction)
Men at Work
(Part of: Masculinities)
Intimacy, Care, and Desire
(Part of: Masculinities)
Who Are We? 
(Part of: I.B. Units of Inquiry)

& Author Notes

All Rights Reserved