Janus Bird (Oiseau Janus)

Accession Number
1987/1.160

Title
Janus Bird (Oiseau Janus)

Artist(s)
Max Ernst

Artist Nationality
German (culture or style)

Object Creation Date
1973

Medium & Support
bronze

Dimensions
16 15/16 in x 8 ⅞ in x 8 ⅜ in (43.02 cm x 22.54 cm x 21.27 cm);16 15/16 in x 8 ⅞ in x 8 ⅜ in (43.02 cm x 22.54 cm x 21.27 cm)

Credit Line
Gift of Al and Margaret Coudron

Label copy
After Ernst arrived in the United States, he eventually settled in Arizona with his second wife, the artist Dorothea Tanning. Ernst was extremely well-read, and expressed a great interest in the art of other cultures—Africa, Oceania, and Native America. Janus Bird incorporates some of the artist’s fascination with the totemic emblems of other cultures, such as the turtle and frog. The name of this work is derived from the Roman god Janus; although the sculpture is double-faced, its duality has to do with sexual identity rather than Roman tradition. The frog and turtle become genitalia on this figure composed of discrete elements combined in an additive manner.
Ernst’s fascination with birds dates back to a particularly memorable childhood experience. A beloved pet bird died on the same day as the birth of Ernst’s sister, and these two incidents remained linked in a mysterious connection in the artist’s mind. Scholars have also described his bird-creation Loplop as an alter ego of the artist. The portentous bird association seems to resonate in the Janus Bird. Here the whimsical elements are combined to create a work full of mysterious life.
Label copy from exhibition "Dreamscapes: The Surrealist Impulse," August 22 - October 25, 1998

Subject matter
This figurine with its primitivist style and use of animal iconography suggests a ritual totemic figure. One side represents man. The other side represents woman. Title references the Roman god Janus the god of doorways, and thus of beginnings and endings, or of the point in time between past and future. Janus was depicted as having two faces, so he could look simultaneously forward and backward

Physical Description
Standing bronze figure with recto/verso. The silhouette of the body is rectangular in shape. The heads on both side are simply rendered with rounded eyes and a pursed -lip mouth on one, a button nose on the other; bodies are supported by short legs; sides loosely suggest representations of male and female anatomy with side-by-side scallop shells suggesting a breasted chest on one side, an upward facing frog/toad in the phallus area on the reverse side.

Primary Object Classification
Sculpture

Primary Object Type
figure

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Birds
Surrealism
Surrealist
bronze (metal)
ducks
figures (representations)
frogs
frogs (fasteners)
modern and contemporary art
sculpture (visual works)
shells
shells (boats)
turtles

7 Related Resources

All Artists in the Degenerate Art Show
(Part of 2 Learning Collections)
European Primitivisms
(Part of 12 Learning Collections)
Occult Mysticism in Western Art
(Part of 4 Learning Collections)
Post-WWII German Surrealism
(Part of: Artist Associations and Art Movements)
Cabinet X: Shelf 4
(Part of: Albertine Monroe-Brown Study-Storage Gallery)
Enrique Chagoya - UtopianCannibal.org (full contents)
(Part of: Resources Made by Isabel Engel)

& Author Notes

All Rights Reserved

On display

UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery) ➜ Cabinet X ➜ Shelf 4