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Results for medium:"stoneware with traces of natural ash glaze"

2 UMMA Objects (page 1/1)
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Stoneware bottle with a squat body, cylindrical neck, flared rim and natural ash glaze. A band stretches along the base of the neck demarcated by two outside lines, and a stamped row of stylized flowers centered in between them. Below the band the body of the bottle dramatically begins to curve outward. Along the body are a series of vertical comb-punched radiating lines.<br />
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This is a dark gray, high-fired stoneware bottle decorated with a stamped design. The shape of the body is spheroidal, while its mouth is wide. A set of raised bands surrounds the center of the neck, while the area below is decorated with a row of stamped semicircular motifs. The upper part of the body is surrounded by rows of vertical dotted lines which have subsequently been erased from parts of the lower body by paring during rotation. The foot is low and slightly splayed.
<p>[Korean Collection, University of Michigan Museum of Art (2017) p. 82]</p>
Korean (Korean (culture or style))
Bottle with Stamped Flower and Bead Designs
600 – 799
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.194
Large pedestal bowl with flaring mouth and base cut with evenly spaced triangular designs. Three side-by-side horizontal bands decorate the lip of the bowl, while six bands are spaced along the sides encompass the exterior of the bowl. In between these bands incised wavy lines stretch around the body horizontally.<br />
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This is a well-fired, dark gray, bowl-shaped vessel stand. A set of two thick raised bands encircles the stand just below the rim, and three horizontal ridges divide the surface of the bowl below the bands. The sections divided by these bands and ridges have been decorated with wave designs rendered using a four-tooth comb. The bowl has an everted mouth and a round rim. The pedestal is also divided by raised bands into sections decorated with wave designs. Each of the upper two sections features five triangular perforations, while the lower sections feature five triangular perforations alternately offset from those of the sections above. The inner and outer surfaces show faint traces
Korean (Korean (culture or style))
Large Pedestal Bowl or Stand
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.179
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