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Results for medium:"stoneware with inlaid decoration under celadon glaze"

8 UMMA Objects (page 1/1)
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<p>This bowl was produced between the late 12th and 13th century, when ornate decoration was accorded greater importance than the beauty of color. A small circle was incised at the inner bottom, surrounded by two concentric circles inlaid with white slip. On the inner wall are decorated four small medallions inside which are rendered chrysanthemum sprays. On both the upper part of the inner and outer walls are decorated a band of scrolls and a pair of horizontal lines, respectively. The low foot displays refractory spur marks. Glaze drips and cracks are visible in parts of the bowl&rsquo;s surface.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.104]</p>
Korean (Korean (culture or style))
Shallow bowl with inlaid chrysanthemum roundels, black and white slip
1150 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.241
<p>This bowl is a fine example which displays the excellent decorative techniques applied to Goryeo celadon by its magnificent decorations: a band of foliage design right below the mouth, the four pomegranate designs on the inner wall, and a chrysanthemum floret on the inner bottom. On the outer surface, there are four sets of double concentric circles inlaid with white slip, each containing a chrysanthemum spray inlaid in black and white. The foot retains three quartzite spur marks. ere are cracks on the outer base due to the thickness of the wall. Glaze has been applied down to the foot and well-fused, while color is also evenly distributed.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.106]</p>
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Shallow bowl with celadon glaze. Four concentric circles grace the exterior of the bowl, with a chrysanthemum roundel centered in the inner circle. Above these designs, three thinly incised bands stretch across the bowl parallel to the rim. In this location on the inside
Korean (Korean (culture or style))
Shallow Bowl with Litchi and Chrysanthemum Design
14th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.244
<p>This type of celadon was produced in large quantities during the 13th century when celadon with inlaid designs became more decorative. The upper part of the inner wall features a band of scroll design inlaid with white slip close to the rim, below which are four double concentric circles each containing a peony spray inlaid with black and white slip. Glaze was applied down to the rim of the foot. Three quartzite spur marks remain on the outer base. The entire inner surface features ne crazing. Two horizontal bands inlaid with white slip surround the upper part of the outer surface. The glaze was partially oxidized, tinged with brown.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.105]</p>
Shallow bowl with celadon glaze. Four peony designs encapsulated by a double-ringed circle float equally spaced along the inner curve of the bowl. A wavy fret design marks the inner rim, while the outer is marked by two or three incised lines.
Korean (Korean (culture or style))
Shallow Bowl with Peony Design
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.233
<p>This is a celadon lidded bowl with the top of the lid decorated with a peony spray design inside a hexafoil outline inlaid with black and white slips. The foot was made by removing clay from the underside of the base and retains traces of quartzite spurs in three places. The glaze was slightly darkened on the upper part with faint gloss. The glaze is poorly fused on the base of the body, leaving practically no sheen. The piece is of high value, however, for the glimpse it offers of Goryeo&rsquo;s refined yet splendid inlaid celadon ware, thanks to its decorative design that depicts a peony in full bloom, inlaid with white clay.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.118]<br />
&nbsp;</p>
Korean (Korean (culture or style))
Cosmetic Box with inlaid peony (?) design: 6-lobed shape to lip top
1167 – 1199
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.240A&B
<p>This bowl features splendid designs inlaid with black and white slip on its inner and outer surfaces. The inner wall is decorated with black-and- white inlaid design of three cranes surrounded by clouds which is inlaid with white slip. A row of yeoui-head designs borders the inner bottom. The outer surface also features chrysanthemum designs inside double concentric circles, all inlaid with white slip. Fine sand was stuck to the shallow foot. Glaze has been peeled off in some parts of the mouth, but the bowl is generally in complete form.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.108]</p>
Korean (Korean (culture or style))
Shallow bowl with inlaid design of cranes flying among clouds
1167 – 1232
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.248
<p>This vessel was produced in a form typical of 13th century celadon bottles with the beautifully curved form and inlaid decorations on the entire surface. The body is divided into six segments, each of which is inlaid with chrysanthemum stems rst then stamped with owers using the inhwa (stamping) technique. Glaze was wiped away from the base and sand supports were used during ring. Glaze on the lower part of the bottle was poorly fused, yielding an opaque surface, however the overall quality of sintering is fine. The mouth has been repaired and restored. This piece is assumed to have been produced at a kiln at Yucheon-ri, Buan-gun, Jeollabuk-do.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.136]</p>
Korean (Korean (culture or style))
Bottle with inlaid design of strands of chrysanthemum blossoms
1250 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.246
<p>The long neck, curvilinear body, and ared mouth of this vessel create a typical Goryeo celadon bottle. A band of lotus petals inlaid with black and white slips is wrapped around the lower part of the neck, below which is a yeoui-head band inlaid with white slip. Three places around the belly of the bottle are decorated with lotus sprays inlaid with black and white slips. The glaze on the lower part of the body has been oxidized, where it is also extensively cracked. The foot is low, with a wide rim, and has sand spur marks.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.143]</p>
Korean (Korean (culture or style))
Pear-shaped bottle with inlaid design of large lotus blossoms
1300 – 1499
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.249
Earthenware stirrup cup with sgraffito design and celadon glaze. A chrysanthemum blossom decorates the tapered base of the cup, and widens into a large middle register with four stylized chrysanthemum medallions. The cup curves back inward toward the rim of the cup, decorated with a fret pattern just below.
<p>This is a conical stirrup cup designed to be inserted into a cup holder. It is a fine piece of celadon with the sudtle beauty of white inlaid decorations in match with the blue-gray body. Its entire outer wall is decorated with inlaid motifs of fret, chrysanthemums, scrolls and lotus petals.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p. 128]</p>
Korean (Korean (culture or style))
Stirrup cup with inlaid sgraffito chrysanthemum and scroll designs
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.230
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