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Between and Mortarboard

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61 UMMA Objects
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This half-length pastel portrait depicts a woman looking directly out of the portrait with her body turned slightly toward her right. She wears an elaborate diaphanous collar with lace fringes that is tied at the neck with a pink ribbon and a dress made of luxurious fabrics. While the face of the sitter is smooth and idealized, her clothing is rendered with meticulous attention to detail and texture.
Francis Cotes
The Honorable Mrs. John Proby, Later Lady Carysfort (née Elizabeth Allen)
1751
Museum Purchase
1965/1.186
A long street recedes at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
James Abbott McNeill Whistler (American (North American))
The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.383
Stone window ledge exterior with various clay pots and plants. Lace curtain hanging on one side of the window.
Ilse Bing (American (North American))
Window Ledge with Plants
1947 – 1960
Gift of Helen and Sheldron Seplowitz
2013/2.274
Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.
Paul Strand (American (North American))
Calvario, Patzcuaro
1933
Gift of Mr. and Mrs. Philip C. Davis through the Friends of the Museum of Art
1971/2.126.12
Woman with brown hair, from head to waist, lace collar, grey background.
American (American (North American))
Portrait of a Lady
19th century
Bequest of Henry C. Lewis
1895.41
<br /> A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.9
<br /> A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.12
A clouded glass orb in a brass-colored metallic cap comprised of looped petal-like shapes connected to a thin metal stem, which in turn is attached to a thin brass ring about the same size as the glass orb.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.17
<br /> This is a clouded glass half-orb with blue as the predominent color, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.18
<br /> This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.21
​<br /> This is a clouded glass half-orb with predominent colors of white and blue, tinged by iridescence.
Louis Comfort Tiffany
Chandelier Fragments
1890 – 1891
Museum purchase
2011/2.2.23
This print depicts an oval frame that contains a frontal bust-length portrait of a man with his head in three-quarter profile against a black background. The man wears an elaborate and stiff lace cravat but most remarkable is his flowing head of long, curly hair, which is very finely rendered. The frame rests atop a sculptural base with a coat of arms decorated with three fleurs-de-lys.
Antoine Masson (French (culture or style))
Louis XIV, King of France
1679 – 1700
Gift of Professor Walter M. and Nesta R. Spink
2012/2.210
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