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Between and Mortarboard

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Viewed at night from the water, a man works deep inside an interior that is brightly lit from an unseen light source. Surrounding the threshold are dark lines indicating the shadowy exterior space. To the left of the doorway is a window that is partly open to reveal a figure standing facing outward towards the viewer.
James Abbott McNeill Whistler (American (North American))
Nocturne: Furnace, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.392
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