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Results for medium:"Stoneware with celadon glaze"

36 UMMA Objects (page 1/3)
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This white porcelain bottle is crudely shaped. It has a short neck and its surface is entirely covered in fine and evenly-spread crackles. Crackles are contaminated with many impurities, darkening the tone of the surface. Pale green transparent glaze was applied on the entire vessel including the foot which retains 12 refractory spur marks. The rim was slightly damaged before the application of glaze. The large number of pinholes on the lower part of the body and the sand stuck to the parts of the bottom suggest that this bottle was produced in a regional kiln.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.177]
Korean (Korean (culture or style))
Wine bottle with crackled glaze
19th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.276
It has a wide mouth, straight but a little everted rim and bulbous body.<br />
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This jar has a wide mouth and gray-green body. It is a product of a regional kiln. The glaze was wiped away from the rim of the foot, and the jar was placed on sand spurs during firing. The rim is flared, and its center of gravity is on the lower part of the body. The body has been repaired due to a long crack that extends all the way down to the base. The glaze is well fused, producing a glossy texture, but impurities on its surface have given it a green-gray colour. It was previously classified as buncheong ware, but recategorized as white porcelain in a recent examination.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.165]
Korean (Korean (culture or style))
Buncheong ware footed jar with bulbous body and everted rim
18th century
Transfer from the College of Architecture and Design
1972/2.82
It has a flat round shaped-body and a rim in the shape of a hemisphere. The foot is small and low-rising. The shoulder is adorned with cloud.<br />
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This celadon oil bottle has a short neck and round body. A cloud design is incised on the shoulder of the bottle. The rim of the foot has three refractory spur marks. This is a good example of a Goryeo celadon oil bottle in terms of both glaze and form.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.130]<br />
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Korean (Korean (culture or style))
Small bottle with incised design
12th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1966/2.28
<p>This is an undecorated bowl with diagonally flaring out sides. On the outer base and rim of the foot remain traces of refractory spur marks. The bowl was oxidized in the kiln, producing a green-brown hue, while the interior contains large bubbles. The color of its glaze is similar to that of other vessels excavated from sedimentary layers of refuse pile at celadon kilns in Goyang-si, Gyeonggi-do.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.101]</p>
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It has an outwardly flared rim and steep side. A yellow brownish glaze is applied. The clay contains some impurities and the foot is relatively high. There is four spur-marks on the interior.
Korean (Korean (culture or style))
Bowl with spreading, sloping sides
1200 – 1399
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.303
<p>This bowl exemplifies early-tenth century celadon forms influenced by Chinese Yue ware. It has a halo-shaped foot (haemurigup), a characteristic of Yue ware. It is a high-quality celadon made from fine clay, coated by highly transparent glaze. Surface is plain while displaying crackles on its inner surface and parts of its outer surface. Many similar vessels were excavated from the Kilns no. 9 and no. 10 at Yongun-ri, Gangjin-gun, Jeollanam-do. Refractory spur marks created during firing remain in five places on the rim of the foot.<br />
[<i>Korean Collection, University of Michigan Museum of Art </i>(2014)&nbsp;p.88]</p>
Stoneware tea bowl with celadon glaze.
Korean (Korean (culture or style))
Tea Bowl
10th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.217
<p>The cup has a mouth that curves slightly inwards; this is a form typical of round cups with saucers produced in large numbers in the 13th and 14th centuries. The cup is decorated only on the outer rim with a fret-patterned band. Repaired damage is visible on several parts on the mouth, as well as cracking that occurred during ring. Glaze has been applied down to the foot, and three quartzite spur marks remain on the outer base. The partially oxidized body displays darker patches on the surface, but it preserves a bright celadon color overall.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.120]</p>
The celadon cup has a mildly inverted rim with curved sides that are bent once, at a sharp angle, near the base. The surface is coated with a greenish blue glaze. The slightly inward-turning mouth facilitates drinking while the sides curve gently toward the base.
Korean (Korean (culture or style))
Wine cup with incised patterns
1100 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.225
A yellow brownish glaze is applied and crackling covers the entire body.<br />
This bowl has straight wall. The exterior is carved with lotus petals. The below of the mouth is decorated with fret design. The foot is a little low.
<p>This is a cylindrical cup decorated with incised and raised design of lotus petals on the entire outer walls and is fretted on the outer rim. Overall, the cup is yellow-green in color and has three refractory spur marks. Many of the shards, excavated from sediment in the vicinity of Kiln no. 12 at Yucheon-ri, Buan-gun, Jeollabuk-do, are also those of cylindrical cups similar in form to this one.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.123]<br />
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Korean (Korean (culture or style))
Deep bowl with vertical sides and carved lotus petal design
1200 – 1399
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.228
<p>This type of bowls was produced in the 12th century when the production of celadon was increased. is piece is assumed to be a product of a kiln in Sadang-ri, Gangjin-gun, Jeollanam-do. e outer wall is decorated with incised and raised deisgn of a two- tiered lotus petal. The bowl was entirely glazed including the rim of the foot. e outer base retains three white quartzite spur marks. e glaze is fused well, displaying a ne gloss, but parts of it have been oxidized to tinge the inner surface with yellow.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.102]</p>
Korean (Korean (culture or style))
Bowl with carved lotus design
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.231
<p>This celadon bowl is undecorated. The glaze is poorly fused and is generally opaque. The foot is low and displays traces of sand supports. The sand, stuck to the foot and the outer base, suggests that the bowl was placed on the kiln floor during ring. Glaze had run down to the outer wall of the foot and accumulated, in parts.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.97]</p>
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shallow bowl, grey color, sanf grit on foot, made in Boryung kiln of ching chung nam-do, often found in tombs in Kangwa Island, 13th century, diameter 6+13/16 inches, height: 1+7/8 inches
Korean (Korean (culture or style))
Kanghwa Bowl
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.212

Seifû Yohei III
Narrow-necked vase with crackled celadon glaze
early 1880s - early 1910s
Bequest of Margaret Watson Parker
1954/1.510
It is in the shape of a sectioned melon. The body is vertically divided into ten sections and to create an embossed effect, the grooves between each two sections were pressed down slightly. The lid has a loop attached at the top. It is decorated on all sides with black and white inlaid design of butterfly, chrysanthemum and peony with stem and foliage. The spout and handle was broken and restored. The lid seems to be fake.
<p>This is a ribbed ewer in the shape of a melon. It is decorated with black-and-white inlaid designs of peonies, chrysanthemums, and butterflies on the body, and yeoui-head designs around the mouth. Also on the lower part of the body are inlaid scrolls with white slip. Its outer base is glazed thoroughly, and it was supported with quartzite spurs in six places. The handle in the shape of a bamboo stem is currently broken off, while the spout and stopper have been repaired in places. The overall state of the vessel&rsquo;s glaze and decorative designs, however, allow it to be categorized a
Korean (Korean (culture or style))
Ewer in the shape of a melon with inlaid floral and butterfly designs
1100 – 1150
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1973/2.33
This is a conical bowl that rests on a footring, with a slightly everted rim, covered in a gray-green celadon glaze.
Chinese (Chinese (culture or style))
Bowl
11th century
Gift of Mr. Jennis R. Galloway through the Friends of the Museum of Art
1972/1.154
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