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Results for medium:"Stoneware with celadon glaze"

36 UMMA Objects (page 1/3)
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Japanese (Japanese (culture or style))
Leaf-shaped dish
19th century
Gift of Marybelle B. Hanna
2001/1.358
<p>This bowl exemplifies early-tenth century celadon forms influenced by Chinese Yue ware. It has a halo-shaped foot (haemurigup), a characteristic of Yue ware. It is a high-quality celadon made from fine clay, coated by highly transparent glaze. Surface is plain while displaying crackles on its inner surface and parts of its outer surface. Many similar vessels were excavated from the Kilns no. 9 and no. 10 at Yongun-ri, Gangjin-gun, Jeollanam-do. Refractory spur marks created during firing remain in five places on the rim of the foot.<br />
[<i>Korean Collection, University of Michigan Museum of Art </i>(2014)&nbsp;p.88]</p>
Stoneware tea bowl with celadon glaze.
Korean (Korean (culture or style))
Tea Bowl
10th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.217
<p>The inner base and walls of this celadon dish are mold-impressed with a peony and peony scrolls, respectively. The low foot retains traces of quartzite supports in three places. The glaze is poorly fused, showing traces of its running, while partial oxidization has given the dish a yellow-green hue in parts.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.114]</p>
The rim of this celadon saucer is outward flared. Fine crackles are present throughout the surface of the saucer, coated with a dark bluish green glaze. It has glazed short foot with 3 spur marks and is molded peony design on wall and bottom. The exterior glaze color change due to over heating, fired in sagger that was not tightly closed.
Korean (Korean (culture or style))
Shallow flat-bottomed bowl with molded floral designs
1100 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.221
<p>This dish with a lobed rim was shaped with a mold. Inlaid on each lobed wall and at the center of its inner base with white slip are chrysanthemum spray design and a chrysanthemum floret, respectively. On the flat outer base remain three quartzite spur marks. The entire dish was glazed including the outer base; the state of sintering is good, while the glaze is pure and green. Crackles are spread throughout the inner and outer surfaces.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.116]</p>
Korean (Korean (culture or style))
Ten-lobed lotus saucer with inlaid floral patterns
13th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.232
It has a wide mouth, straight but a little everted rim and bulbous body.<br />
<br />
This jar has a wide mouth and gray-green body. It is a product of a regional kiln. The glaze was wiped away from the rim of the foot, and the jar was placed on sand spurs during firing. The rim is flared, and its center of gravity is on the lower part of the body. The body has been repaired due to a long crack that extends all the way down to the base. The glaze is well fused, producing a glossy texture, but impurities on its surface have given it a green-gray colour. It was previously classified as buncheong ware, but recategorized as white porcelain in a recent examination.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.165]
Korean (Korean (culture or style))
Buncheong ware footed jar with bulbous body and everted rim
18th century
Transfer from the College of Architecture and Design
1972/2.82
<p>This celadon bowl is undecorated. The glaze is poorly fused and is generally opaque. The foot is low and displays traces of sand supports. The sand, stuck to the foot and the outer base, suggests that the bowl was placed on the kiln floor during ring. Glaze had run down to the outer wall of the foot and accumulated, in parts.<br />
[<em>Korean Collection, University of Michigan Museum of Art</em> (2014) p.97]</p>
<br />
shallow bowl, grey color, sanf grit on foot, made in Boryung kiln of ching chung nam-do, often found in tombs in Kangwa Island, 13th century, diameter 6+13/16 inches, height: 1+7/8 inches
Korean (Korean (culture or style))
Kanghwa Bowl
12th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.212
<p>The inner surface of this bowl features an incised design of two parrots with long tails resembling phoenixes. e entire body of the bowl was glazed including the rim of the foot, on which remain three quartzite spur marks. Although some fireclay has fallen inside the kiln during ring and adhered to the inner surface of the bowl, the state of sintering is good. The piece as a whole is a high-quality ware with a glossy surface and a fine color of glaze. The base of the foot is cracked which occurred while drying before the application of glaze.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.94]</p>
high quality, incised, double-parrot motif shallow bowl, nice shallow fully glazed foot, three spur marks, firing discoloration, kiln trash fall on glaze, 11th century.
Korean (Korean (culture or style))
Bowl with incised pattern of paired phoenixes
1067 – 1132
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.215
<p>The cup has a mouth that curves slightly inwards; this is a form typical of round cups with saucers produced in large numbers in the 13th and 14th centuries. The cup is decorated only on the outer rim with a fret-patterned band. Repaired damage is visible on several parts on the mouth, as well as cracking that occurred during ring. Glaze has been applied down to the foot, and three quartzite spur marks remain on the outer base. The partially oxidized body displays darker patches on the surface, but it preserves a bright celadon color overall.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.120]</p>
The celadon cup has a mildly inverted rim with curved sides that are bent once, at a sharp angle, near the base. The surface is coated with a greenish blue glaze. The slightly inward-turning mouth facilitates drinking while the sides curve gently toward the base.
Korean (Korean (culture or style))
Wine cup with incised patterns
1100 – 1299
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.225

Bernard Leach (British (modern))
Bottle
1900 – 1932
Museum Purchase
1950/2.17
It has a flared mouth. The side is tapering gently down to the base. It was brushed with white slip interior and outerior sides.<br />
<br />
Bowls of this kind were commonly used as burial accessories in the 15th century Joseon; many have been excavated. This bowl has been rapidly spun and brush-painted with white slip on its inner and outer surfaces. The large amount of sand mixed with the clay has produced a rough texture. Traces of clay supports remain on both the inner base and the rim of foot, indicating that this bowl was stacked among other bowls while separated by clay spurs during firing. The glaze was fused well, producing a glossy surface.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.155]
Korean (Korean (culture or style))
Buncheong ware bowl with brushed 'hakame' design
16th century
Transfer from the College of Architecture and Design
1972/2.76
<p>The bowl has a low, narrow foot, and diagonally aring out sides. It is decorated with raised designs on the inner wall, but they are so low relief that it is di cult to recognize what they are. The outer base retains three quartzite spur marks. Damage to a side of the mouth rim and the center of the bowl has been repaired.<br />
[<em>Korean Collection, University of Michigan Museum of Art </em>(2014) p.99]</p>
It flares out widely at the rim, then back in. Its sides, otherwise almost straight, taper to the base. There is no decorated.
Korean (Korean (culture or style))
Bowl
12th century
Gift of Mr. William Muschenheim
1979/2.84

Thai
Bottle (fragment) on a foot ring with carved decor, Sawankhalok ware
1300 – 1499
Gift of Mrs. Henry Jewett Greene for The Mr. and Mrs. Henry Jewett Greene Memorial Collection
1971/2.91
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