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7 UMMA Objects
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A small, thin, earthenware molded plaque with a bas-relief architectural scene of a Chinese three-bay building on a dais. There are two slat windows and a hipped roof. A figure stands in the central doorway. The plaque is covered in a white slip.
Chinese (Chinese (culture or style))
Temple with Buddha Votive Plaque
550 – 650
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1964/2.21
A stoneware globular jar with straight, wide neck and direct rim, and bowstring bands around the waist and shoulder, four loop lugs connecting the neck to shoulder, and the upper half covered in a gray-green celadon glaze. 
Chinese (Chinese (culture or style))
Jar
6th century
Museum purchase for the Paul Leroy Grigaut Memorial Collection
1969/2.88
In this picture, a woman smiles mischievously, facing her right. She is wearing two layers of robes, one red with white patterns, matching her hair tie, and one blue with pink and yellow flowers. One hand holds onto a large rock as she leans over it. Behind her a mountain and port are visible under a dark sky.<br /><br /> Inscriptions: Mitate sanjūrokkkasen no uchi; Matsura Sayohime; Toyokuni ga (Artist's signature); Horitake (Carver's seal); Kichi, Isekane (Publisher's seal); Hama &amp; Magome, ne 9 (Censors' seal)<br />  
Utagawa Kunisada (Japanese (culture or style))
Actors Compared with the Thirty-six Poet Immortals: Iwai Kumesaburō III as Matsuura Sayohime
1852
Gift of Dr. James Hayes
2003/1.466

Herbert W. Johe
Historic Pillars-Capitals-Bases of India, Index to Plates
1993
Gift of Herbert W. and Susan L. Johe
1998/1.175
It is a earthenware with a man riding a small horse with short legs over a thick rectangle plate. There is a lamp-oil container with hole over the hips of the horse, and a spout sticks out in the front breast of the horse, which enables to pour out water through the inside of the stomach of horse. The figure on the horse wears a triangular hat and armor. The left arm is disappeared.<br />
Korean (Korean (culture or style))
Oil Lamp in the Shape of an Equestrian Warrior
500 – 549
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.187
A medium size, well potted porcelain jar with wooden rid, round shoulder and neck. Floral designs are painted with blue underglaze and red and gold overglaze enamels. There are Chinese scholar and attendant boy with a fan on one side and Japanese lady in kimono on the opposite side, painted with enamels. Band of flowers on the neck, another broader band of chrysanthemums on the shoulder. There is also a band of leaf patterns on the bottom. A large crack from neck to the middle of the body; porcelain glaze has small cracks all over the body. The foot is unglazed; the eye is fully glazed. No glaze on the rim. The teak wood lid, a later addition, has a finial made of an ivory netsuke of laughing Hotei.
Japanese (Japanese (culture or style))
Covered jar with design of flower maiden, sage, and child amidst flowering plants
1645 – 1655
Transfer from the College of Architecture and Design
1972/2.72A&B

Chinese (Chinese (culture or style))
Miniature altar: Standing Buddha in abhaya-vara mudra, flanked by 2 bodhisattvas
500 – 532
Museum purchase for the James Marshall Plumer Memorial Collection
1961/2.79
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