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Between and Mortarboard

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The painting depicts three houses in a small village, surrounded by trees. There is a lake in the right-hand foreground of the painting. The artist signed his name with the seal of his pen name, Lao Pai (Pai the old man) on the upper left-hand corner.
Qi Baishi
Rural Village
1925 – 1935
Gift of Katsuizumi Sotokichi
1949/1.193
This is a figure painting on a hanging scroll. There are many colors present with the background generally of a brown hue and the figure containing predominantly black and white with many intricate and colorful details. The figure is centered in the middle and looks to the right of the scroll (the viewer's left). The woman holds one hand up to her shoulder (holding the outermost layer of her kimono) while the other lies at her side. The kimono she is wearing has many layers. Most notable is the outer white layer lined with a bright red with a colorful floral pattern. The black layer has a circular design that covers a light blue layer. Her obi is a darker gray with a blue floral and circular pattern. Her geta have blue straps. There is a signature at the bottom right corner which is followed by a red stamp. 
Torii Kiyonobu
Beauty
1925 – 1935
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/1.160

Betty Waldo Parish
Railroad Yard
1930 – 1940
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.103

Donato Rico
Conversation Piece
1930 – 1940
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.115

William Horace Littlefield (American (North American))
Boxing (La Boxe; Series of Six Prints)
1925 – 1935
Museum Purchase
1948/1.382

William Horace Littlefield (American (North American))
Boxing (La Boxe; Series of Six Prints)
1925 – 1935
Museum Purchase
1948/1.384

John S. DeMartelly
Looking at the Sunshine
1925 – 1935
Gift of Suzanne Beutler
1980/2.176

Sir David Young Cameron
Cyre
1930 – 1940
Gift of Carl Fredric Clarke
1949/1.56
A large man with both arms raised, holding an ax over his head, is standing on a large log that is already partially split.
Raymond Creekmore
Axman
1930 – 1940
Courtesy of the Fine Arts Collection, U.S. General Services Administration, New Deal art project
1935.3

Victor Hammer
Detail: Baron Mayr-Melnhof
1925 – 1935
Gift of Carolyn Reading Hammer
1992/2.24
The painting depicts bamboo plants and pine trees, with a calligraphic inscription on the right bottom.
Qi Baishi
Pine and Bamboo
1925 – 1935
Gift of Katsuizumi Sotokichi
1949/1.191

Victor Hammer
Baron Mayr-Melnhof (The Hunter)
1925 – 1935
Gift of Carolyn Reading Hammer
1992/2.20
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