30 UMMA Objects
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Cylindrical vessel with interlocking linear pattern carved on the interior of the lip. The body of the vessel is carved with interlocking chevrons and a fiber rope is wrapped around its neck. 
Kuba (Kuba (Democratic Republic of Congo style))
Bowl
1885 – 1895
Museum Purchase made possible by the Friends of the Museum of Art
1985/1.161
Left panel of a triptych. The image on this panel is of a tree crossing from the lower left corner to the upper right. In the bottom right corner are red smoke and fire, a British flag, and Japanese text. The tree and sky are different shades of grey. 
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.2
Middle panel of a triptych. The image is of two soldiers firing a cannon among trees. The soldiers are surrounded by smoke and there is a Japanese flag in the upper left corner.
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.4

Eugène Boudin (French (culture or style))
St. Catherine's Market at Honfleur
1885 – 1895
Gift of Gilbert M. Frimet
1986/2.79
Female figure with crossed legs, breastfeeding a child. The large mother figure is decorated with scarifications on her breasts, shoulders and back. She bears filed teeth, is wearing an elaborate headdress and her face has been decorated with three brass tacks. Mirror fragments were used to evoke eyes. On the back of the sculpture a mirror covers a raised addition containing unknown elements. The figures are seated on a rectangular base with geometric decorations. 
Yombe (Yombe (culture or style))
Mother and child figure
1885 – 1895
Gift of Candis and Helmut Stern
2005/1.187

John Singer Sargent
Study for Portrait of Mrs. Hamilton McKnout Twinbly
1885 – 1895
Gift of Gilbert M. Frimet
2002/2.216
This standing female <em>nkisi mihasi</em>, or “benevolent” power figure, exhibits many of the typical traits associated with the Luba of the Upemba Basin, and more specifically, with the Kisale center of production. These features include a disproportionately elongated torso, terraced coiffure, diamond-shaped scarification patterns covering the abdomen and back, and, a crescent moon symbol on the pubis. In addition, this figure possesses a round head with almond-shaped eyes, an open mouth, flat and level shoulders, protruding breasts and bellybutton, and horizontal lines across its upper thighs. Multiple strands of white, dark blue, and light blue beads adorn the figure’s neck, upper chest, wrist, hips, and ankle. A cotton loincloth has been wrapped around the figure’s hips.
Luba (Luba (culture or style))
Power Figure
1885 – 1895
Gift of Candis and Helmut Stern
2005/1.212
This large and commanding Songye <em>nkisi</em> carved from wood depicts a male figure with the following characteristics: a large head whose crown is covered in stunning copper; almond shaped eyes; a large, oblong mouth; metal tacks across the temples; and a bold, trapezoidal chin. The figure’s hands rest on either side of its protruding belly, which bears a round mark representing its umbilicus. The <em>nkisi</em> dons a vegetable fiber loincloth which has been affixed by raffia. A trio of necklaces serve as adornments while a medicinal pestle dangles from its waist. Also remarkable is the handsome leather purse which the figure carries around its arm. 
Songye (Songye)
Power Figure
1885 – 1895
Gift of Candis and Helmut Stern
2005/1.227

A.W.A. Plâté
Palm Trees, Ceylon
1885 – 1895
Gift of Margaret and Howard Bond
2002/1.221
Middle panel of a triptych. The image is of two soldiers firing a cannon among trees. The soldiers are surrounded by smoke and there is a Japanese flag in the upper left corner.
Utagawa Kunisada II (Japanese (culture or style))
Sino-Japanese War Scene (Oban Triptych)
1890 – 1900
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2015/2.159.3

Maori;Polynesian (Maori (culture or style))
Hei Tiki pendant
1885 – 1895
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/2.101

Inuit
Toggle in the form of a Walrus
1885 – 1895
Museum Purchase
1983/1.153
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