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12 UMMA Objects
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A stoneware vessel form with a squat, wide globular body narrowing slightly for a tall, wide flaring trumpet neck on a footring.  It is covered in a dark blue mottled glaze. 
Chinese (Chinese (culture or style))
Residue Jar
16th century
Transfer from the School of Art and the College of Architecture and Urban Planning
1997/1.248
This is a round bottomed bowl on three legs with high straight sides and and everted rim. It is covered in a green celadon craqueleur glaze.
Chinese (Chinese (culture or style))
Incense Burner
15th century
Gift of Domino's Pizza, Inc.
1993/1.108
​A stoneware flat bottomed plate on a footring with a wide flaring sides and a direct rim.  The base is carved with a chrysanthemum and the sides with a peony meander.  It is covered in a green celadon glaze. This plate is a pair with 2002/2.5.
Chinese (Chinese (culture or style))
Plate
16th century
Gift of the William T. and Dora G. Hunter Collection
2002/2.6
This is a tall, straight-sided, slightly tapered porcelain vase with high narrow shoulders. It has a short neck with an everted rim. Two applique sprig-molded lion heads are placed on opposing sides of the shoulders. The vase is covered in a creamy white glaze. 
Chinese (Chinese (culture or style))
Vase
1500 – 1699
Gift of Stephen H. and Patricia O. Spurr from the Henry Jewett Greene Collection
2000/1.25
A small jar with a slightly tapered base and a shoulder that tapers to a narrow tall neck with a direct rim.  It is painted with underglaze cobalt blue floral designs, and covered in a clear glaze. 
Chinese (Chinese (culture or style))
Small Jar
1400 – 1599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.28
Celadon incense burner in the shape of Qilin with a removable top.
Incense Burner
16th century
Promised gift of William C. Weese, M.D., LSA ‘65
PG2020.2.97A-B
Vertically oriented. Ink on silk with silk edging. Three figures at a stream in a wooded area.
Zhou Chen (Chinese (culture or style))
Brewing Tea under Pines by a Stream
1533 – 1599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1963/2.3
This small porcelain box has a base and the lid similar in size and shape, being round and shallow with curved sides. The box rests on a foot ring and is painted with underglaze cobalt blue to depict a duck and plants, covered in a clear glaze.
Chinese (Chinese (culture or style))
Box
16th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.25.1-2
A small jar with a slightly tapered base and a shoulder that tapers to a narrow tall neck with a direct rim.  It is painted with underglaze cobalt blue with deer and floral designs, and covered in a clear glaze. 
Chinese (Chinese (culture or style))
Small Jar
1400 – 1599
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.27
A stoneware flat bottomed plate on a footring with a wide flaring sides and direct rim.  The base is carved with a chrysanthemum and the sides with a peony meander.  It is covered in a green celadon glaze. This plate is a pair with 2002/2.6.
Chinese (Chinese (culture or style))
Plate
16th century
Gift of the William T. and Dora G. Hunter Collection
2002/2.5
A small porcelain box with the base and the lid similar in size and shape, being round and shallow with curved sides.  The base is on a foot ring, painted with underglaze cobalt blue to depict <em>ruyi </em>(as you wish)<em> lingzhi </em>mushroom-shaped clouds and meander.  It is covered in a clear glaze.
Chinese (Chinese (culture or style))
Box
16th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1993/2.26.1-2
This is a very dense landscape painting. There are waterfalls, clouds, trees and cliffs present in the painting. The colors consist of muted greens and browns. Towards the lower half of the painting, there is a view of an interior with four figures present, three of which are sitting at a low table. There is a staircase on the lower right, with a man standing on it, looking upwards. There is also a house on a cliff towards the upper right of the painting. There is calligraphy in the upper right hand corner, with a red seal. There is another red seal, although a bit faded, in the lower left corner of the image.
Xie Shichen (Hsieh Shih-ch'en)
Summer Retreat
1533 – 1566
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1961/1.161
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