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38 UMMA Objects
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Liliane De Cock
Windmill and Storm, Santa Fe, New Mexico
1965
Gift of the Ann Arbor Camera Club through the Friends of the Museum of Art
1971/2.122
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
Photograph of a young man and woman stopped in the middle of the sidewalk to talk.
Garry Winogrand (American (North American))
Untitled
1961 – 1971
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.150
A photograph of the side of one wooden house and the front porch of another, with bushes in the foreground.
George A. Tice (American (North American))
Cameron House
1965
Gift of the Marvin Felheim Collection
1983/1.295.2
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Mineral Countenance
1934 – 1967
Museum Purchase
1971/2.150.7
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Temptation of Saint Anthony
1934 – 1967
Museum Purchase
1971/2.150.8
A photograph of three wooden buildings in a rural landscape.
George A. Tice (American (North American))
Cain House and Methodist Church
1965
Gift of the Marvin Felheim Collection
1983/1.295.11
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Girl Undressing
1934 – 1967
Museum Purchase
1971/2.150.6
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Fruit Woman
1934 – 1967
Museum Purchase
1971/2.150.1
Photograph of shacks and abandoned houses in a landscape.
George A. Tice (American (North American))
Shacks and Main Street Buildings
1965
Gift of the Marvin Felheim Collection
1983/1.295.7
A photograph of a white house behind a tree trunk.
George A. Tice (American (North American))
Tree and Meeting House
1965
Gift of Dr. Clayton Lewis through the Friends of the Museum of Art
1971/2.130
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