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This painting depicts the bodhisattva Jizō standing by the bank of a river surrounded by children.  The majority of these are seated on the ground, creating small piles of rocks, but a few pull on the divinity’s robes. At a distance is a red demonic figure (oni) leaning on a staff with his arm outstretched over the water. 
Japanese (Japanese (culture or style))
The Bodhisattva Jizô with a demon and children
1700 – 1899
Gift of Susan Pratt Walton in honor of Catherine Mariotti Pratt and James Bisset
1986/1.190
This lightly colored landscape features figures standing on a covered bridge enjoying the distant waterfall. To the left of the painting, there are trees with rocks scattered around on the ground. In the distance, there are mountains that contain a little greenery. The waterfall comes out of these mountains and empties into a river; mist formes from this. In the top left corner of the painting, there is a signature.
Ikeno Taiga;Ikeno Gyokuran
Mountain Landscape
1725 – 1775
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1983/1.354

Giovanni Battista Piranesi (Italian (culture or style))
Roman Antiquities Series. Vol. III, Pl. V. Mattoni quadrati segati e linee diag
1720 – 1778
Gift of Miss Anna M. Barnard
1955/2.6
A blue and white platter. White porcellanous body with painting in blue under a clear glaze slightly tinged with blue-green.
Ali ibn al-Hajj Muhammad
Platter with an inscription from a Hadith [a saying of the Prophet Muhammad], signed by Ali ibn al-Hajj Muhammad
1600 – 1799
Transfer from the College of Architecture and Design
1972/2.158

Thai
Head of a Buddha, with flaming topknot
1600 – 1799
Gift of the Estate of Margaret E. Tracy
1978/2.46
The circular, smaller white porcelain plate has a design of gourds, flowers, vines and leaves around the rim. The gourds are outlined with blue underglaze and colored with yellow overglaze. Blue underglaze and transparent green overglaze are used for the leaves. The flowers and vines are drawn with red. The red enamel is worn off from some of the tendrils, a characteristic of 18th century Nabeshima. The reverse side has four clustered jewel or treasure motifs with four bows and streamers repeated three times. On the shallow foot, bold lines are drawn in a row like a comb. The design on the back is all drawn with blue underglaze. (Referencce: Becker, Sister Johanna. “A Group of Nabeshima Porcelain.")
Artist Unknown, Nabeshima ware, Japan
Plate with gourd and vine design (one of five with 1964/1.100 and 102-104)
1700 – 1732
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.101

Joseph Rosset
Voltaire (François-Marie Arouet) (1694-1778)
1726 – 1786
Museum Purchase made possible by the Friends of the Museum of Art
1969/2.14

Brocaded Silk
1700 – 1750
The Paul Leroy Grigaut Memorial Collection
1972/2.245

British
Silk Embroidery
1700 – 1730
The Paul Leroy Grigaut Memorial Collection
1972/2.271

Japanese (Japanese (culture or style))
Arita ware dish with design of chrysanthemums by a brushwood fence
1700 – 1732
Gift of Mr. and Mrs. George F. Green
1970/2.1

Chinese (Chinese (culture or style))
Fang lei (square wine vessel) with bas relief bird designs
1700 – 1899
Transfer from the College of Architecture and Design
1972/2.100

Japanese (Japanese (culture or style))
Mirror or relief plaque with scene of Taigong Wang fishing
18th century
Transfer from the College of Architecture and Design
1972/2.102
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