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Results for date_created:"1658"

455 UMMA Objects (page 1/38)
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Rimpa
6-Panel Folding Screen
17th century
Gift of Nancy and Joseph Keithley
2020/2.5A
A woman in a red and blue dress is sitting in a woodland setting with a baby on her lap. The baby is holding a paper envelope (or a folded note), while her right hand is outstretched. Another small child crouches at her side. He holds a cross in his left hand, and pets a lamb with his right hand. 
Carlo Maratti
Madonna and Child
17th century
Gift of Andrew Nagy
2011/1.115

Chinese (Chinese (culture or style))
Medicine Bottle
1600 – 1899
Gift of Marybelle B. Hanna
2001/1.362
Two seated men, depicted in three-quarter length, with flowing beards and long robes look out from this print. A painting of a seated woman holding a child on her lap sits on an easel between them. A closed book is placed before the man on the left, and a second book sits open next to the figure on the right. This man holds a mahlstick, used by painters to steady their hand as they work, in his right hand. A palette and brushes are placed on a ledge in front of him.
Ludolphe Buesinck
St. Luke and St. Mark with a Portrait of the Virgin and Child
17th century
Gift of J. Frederick Hoffman
2007/2.144

Japanese (Japanese (culture or style))
Vairocana Buddha (J. Dainichi Nyorai)
17th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
2003/2.59.4

Japanese (Japanese (culture or style))
Sample of Sanskrit Writing
1600 – 1899
Gift of Ellen and Richard Laing
2006/2.30

Francesco Solimena
Death of Messalina
1600 – 1799
Gift from the Joseph F. McCrindle Collection
2008/2.199.3
Paper trimmed just outside plate mark. Paper size: lh 8 7/10cm & rh 8 9/10cm x tw 16 1/2cm & bw 16 2/5cm. Plate/image size: h 8 1/5cm x w 16 1/2cm.
Rembrandt van Rijn
Negress Lying Down
1658
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.407
This drawing is horizontally oriented. It is surrounded with rose, gold, and mint matting; a scroll that reads “H. Saftleven” is juxtaposed over the mattings. The actual work depicts a river scene, with a cliff on the shore of the river to the right. On the cliff are buildings, including what looks like the ruins of a castle tower. A tree leans to the right over the edge of the cliff. Ships populate the river, including one at the shoreline, in which a person is seated, while another person straddles it and a dock.
Herman Saftleven, II
A River Landscape with a Boat Landing below a Bluff
1630 – 1685
Joseph F. McCrindle Collection
2009/1.516
This ink sketch on paper contains a woman in the upper center hunched over with a bundle on her back. The lower half contains two female figures with an obscured female profile in between. On the left is a half-length figure of a woman seen from the back wearing a dress. In the center is the head of a woman in profile wearing a headscarf. On the right is a woman, drawn to her hemline, standing in three-quarters profile facing right, wearing a heavy robe.<br />
The reverse has a sketch of a young male turning to face slightly backward with left arm upraised.
Stefano della Bella (Italian (culture or style))
Untitled (Sketch of a Woman Carrying a Bundle and Female Figures)
early 1630s - early 1660s
Joseph F. McCrindle Collection
2009/1.492
Burial wares are those placed in tombs as a way of praying for the continued happiness and comfort of the deceased in the afterlife. Offering vessels produced in the Joseon period included smaller reproductions of the vessels used every day, such as jars, boxes, and bowls, among others. The University of Michigan Museum of Art houses a set of white porcelain offering vessels buried in pit graves between the late 16th century and early 17th century. The vessels are coated in pale blue glaze but generally tinged with gray. They were fired without using saggers, while resting on fine sand supports. Their glaze is relatively well applied and fused. The cintamani-shaped knobs on the lids are similar to those found on the lids of vessels produced at white porcelain kilns near Seondong-ri and Songjeong-ri in Gwangju-si, Gyeonggi-do in the 17th century.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.190]
Korean (Korean (culture or style))
Burial Set (15 plates, 16 bowls and 6 lids)
17th century
Gift of Ok Ja Chang and the Chang Family
2009/2.79.21
Burial wares are those placed in tombs as a way of praying for the continued happiness and comfort of the deceased in the afterlife. Offering vessels produced in the Joseon period included smaller reproductions of the vessels used every day, such as jars, boxes, and bowls, among others. The University of Michigan Museum of Art houses a set of white porcelain offering vessels buried in pit graves between the late 16th century and early 17th century. The vessels are coated in pale blue glaze but generally tinged with gray. They were fired without using saggers, while resting on fine sand supports. Their glaze is relatively well applied and fused. The cintamani-shaped knobs on the lids are similar to those found on the lids of vessels produced at white porcelain kilns near Seondong-ri and Songjeong-ri in Gwangju-si, Gyeonggi-do in the 17th century.<br />
[Korean Collection, University of Michigan Museum of Art (2014) p.191]
Korean (Korean (culture or style))
Burial Set (15 plates, 16 bowls and 6 lids)
17th century
Gift of Ok Ja Chang and the Chang Family
2009/2.79.25
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