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11 UMMA Objects
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Blue anodized aluminum with two laser-cut abstract shapes and orange, yellow, and white screen-printed designs based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.8

Sam Gilliam (American (North American))
Footprint to Perforated Volume
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.5.a-f
This is a series of seven photos depicting a variety of hanging forms in an array of colors and black.  In some cases, paper in various colors is layered on top of the photos
Sam Gilliam (American (North American))
D. Volume Study
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.4.A-H

Sam Gilliam (American (North American))
Aluminum Anodizing
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.6
White rectangular anodized aluminum plate with two laser-cut abstract designs, and white, yellow, and blue screen-printed designs. The white designs reference the shape of the floorplan of the UM Duderstadt Center. 
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.10
This is a series of eleven photographs in a grid of four rows and three columns.  The photographs are of a spiral shaped metallic sculpture against an off white sheet. Some spirals have blue and yellow accents. In the top right corner there is a floor plan of the Duderstadt center with labels for areas 1-5 and other details.
Sam Gilliam (American (North American))
B. Footprint Choreography
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.2
A blue and black computer aided drafting (CAD) drawing of building with windows and columns, shrubs on the ground, and hanging plants.
Sam Gilliam (American (North American))
CAD Drawings
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.7A-W
Blue anodized aluminum with two laser-cut abstract shapes and red, yellow, black, and white screen-printed designs, some based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.11
A white rectangular anodized aluminum plate with two laser-cut abstract designs.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.9
This piece rests in a wooden frame and consists of three photographs assembled in a cubist-like way. The photographs show the interior of the University of Michigan's Duderstadt Center. Honey comb-like laser cut transparencies seem to hang from the ceiling and black CAD drawings, and a small red triangle appears on the left side of work.The artist and another man are shown in the lower right corner looking at these decorative additions to the building. 
Sam Gilliam (American (North American))
A. Media Center
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.1
Three prints mounted on paper with black backgrounds. Each print shows a large outline of the floor plan of the Duderstadt center filled with swatches of color over which is laid a grid of small outline floor plans of the Duderstadt center in black, looking like mishapen black polka dots.
Sam Gilliam (American (North American))
C. Color Study
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.3
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