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Between and Mortarboard

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This canvas is saturated in layered paint in shades of muted browns, oranges, ochres, and yellows, and crossed by lines: some dark and some light, some on the surface, some buried beneath the surface color. A bold horizontal line cuts across about a quarter of the way from the bottom. On the right, there are several faint verticals. At the top, two horizontal lines underlap and overlap with two diagonals.
Richard Diebenkorn (American (North American))
Ocean Park No. 52
1972
Purchase assisted by the Friends of the Museum of Art and a grant from the National Endowment for the Arts
1974/2.22
This abstract painting is primarily white with a large squarish area of dark green in the top left quadrant. Loose brushwork varies from wide, full strokes to the short, rapid strokes at the compositions center. Pigment application ranges from a very thin wash to heavy impasto.
Joan Mitchell (American (North American))
White Territory
1970 – 1971
Purchase assisted by the Friends of the Museum of Art and a grant from the National Endowment for the Arts
1974/2.21
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