12 UMMA Objects
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One box with a lid completely encompassing it. The lid has a red and black exterior and an interior with a geometric design in orange and blue hues. The box has the same geometric design on the interior and exterior.
Korean (Korean (culture or style))
Nesting Sewing Box (Three of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.325.3A-B
A grounded and a flying goose is paired in both paintings, creating a contrast of stillness and movement. The goose is the water has its head turned to watch the descent of the goose flying in from the right. The upper left corner contains calligraphic text, and creating ripples in the water in the foreground is a goose with its head below the surface, and bottom in the air. Reeds come in from the right.<br />
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These two hanging scroll paintings depict geese and reeds. Based on the style, the use of silk and the mounting method, it is assumed that the two works are part of the same set. Plate 278-1 (2009/1.488.1) depicts three geese including one with its head plunged into the water, while Plate 278-2 (2009/1.488.2) depicts two. Both works depict reeds on the right part of the painting. Yang&rsquo;s signature in &ldquo;boneless&rdquo; stroke style, effective in portraying light and shade, is striking. Yang Gihun (楊基薰, 1843&ndash;?), who painted these works, was active mainly in Pyeongyang which is cur
Ki-hun Yang
Geese and Reeds (one of a pair)
1867 – 1899
Gift of Keum Ja and Byung Schick Kang
2009/1.488.1
Wood rectangular pillow covered in a white cotton slip with embroidered flowers on the end. Red base with gold border containing blue Korean characters.
Korean (Korean (culture or style))
Pillow
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.323
A grounded and a flying goose is paired in both paintings, creating a contrast of stillness and movement. A goose swoops into the scene from the top left, while the neck of the grounded goose follows a graceful curve to look at the approaching bird. The swaying reeds and grass around the grounded goose add lightness to the composition. Between the two geese are three lines of calligraphy.<br />
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These two hanging scroll paintings depict geese and reeds. Based on the style, the use of silk and the mounting method, it is assumed that the two works are part of the same set. Plate 278-1 (2009/1.488.1) depicts three geese including one with its head plunged into the water, while Plate 278-2 (2009/1.488.2) depicts two. Both works depict reeds on the right part of the painting. Yang&rsquo;s signature in &ldquo;boneless&rdquo; stroke style, effective in portraying light and shade, is striking. Yang Gihun (楊基薰, 1843&ndash;?), who painted these works, was active mainly in Pyeongyang which is currently located i
Ki-hun Yang
Geese and Reeds (two of a pair)
1867 – 1899
Gift of Keum Ja and Byung Schick Kang
2009/1.488.2
Lidded box covered in paper. The exterior is decorated with flowers and butterflies in green, red, and gold. There are no designs on the interior paper. The largest of three nesting boxes.
Korean (Korean (culture or style))
Nesting Sewing Box (One of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.326.1A-B
Wood rectangular pillow with white cotton slip. The ends have a blue and red base with gold embroidered flowers.
Korean (Korean (culture or style))
Pillow
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.324
Lidded box covered in paper. The exterior is decorated with flowers and butterflies in green, red, and gold. There are no designs on the interior paper. The smallest of three nesting boxes.
Korean (Korean (culture or style))
Nesting Sewing Box (Three of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.326.3A-B
Lidded box covered in paper. The exterior is decorated with flowers and butterflies in green, red, and gold. There are no designs on the interior. It is the middle of three nesting boxes.
Korean (Korean (culture or style))
Nesting Sewing Box (Two of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.326.2A-B
One box with a lid completely encompassing it. The lid has a red and black exterior and an interior with a geometric design in orange and blue hues. The box has the same geometric design on the interior and exterior.
Korean (Korean (culture or style))
Nesting Sewing Box (One of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.325.1A-B
Wood rectangular pillow covered in white cotton slip with embroidered flowers on the end. The base is green with a geometric border and embroidered pink, purple, and white flowers.
Korean (Korean (culture or style))
Pillow
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.321
One box with a lid completely encompassing it. The lid has a red and black exterior and an interior with a geometric design in orange and blue hues. The box has the same geometric design on interior and exterior.
Korean (Korean (culture or style))
Nesting Sewing Box (Two of Set)
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.325.2A-B
Wood rectangular pillow covered in white cotton slip with embroidered flowers on the end. Green and blue border with red background.
Korean (Korean (culture or style))
Pillow
20th century
Gift of Keum Ja and Byung Schick Kang
2018/1.322
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