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Between and Mortarboard

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102 UMMA Objects
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Flaminio Innocenzo Minozzi
Section of an Illusionistically Painted Ceiling
1735 – 1817
Museum Purchase
1959/2.33

Albert Kahn (American (North American))
Terra Cotta Cornices Etc. Museo Civico Bologna
01/19/1912
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.662

Albert Kahn (American (North American))
San Stefano Bologna
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.691

Italian
A Door Knocker with Arms Resembling Those of the Medici
1575 – 1625
Museum Purchase
1963/2.28
A decorative design based on curving arabesque forms around a central axis also incorporates gortesque figures.
Italian
Arabesque Panel with Grotesques and Animals
1550 – 1599
Museum Purchase
1963/2.7

Albert Kahn (American (North American))
Bologna / Palace on Via S. Stefano
01/21/1912
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.663

Albert Kahn (American (North American))
Bologna
01/21/1912
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.664

Albert Kahn (American (North American))
San Stefano, Bologna
01/20/1912
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.665

Albert Kahn (American (North American))
Vestibule St. Mark's Venice
04/13/1891
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.697
An intricate series of arches, stairs, and balustrades are presented obliquely. The deepest recession into space is at the center of the design. Seen from a low vantage point, the soaring columns and arcades create the illusion of deep space.
Giuseppe Galli Bibiena
Stage Set: Courtyards with Staircases
1696 – 1757
Museum Purchase
1957/2.2
Four prints, identical, long piece of wood with repeating pattern.
Spanish
Lintel Fragments (From a set of 5)
1500 – 1699
Gift of the Estate of Mary Chase Stratton
1961/2.6A
An elevation drawing of urns with dimensions and a lined background.
Artist Unknown
Elevations/Sections of Urns
18th century
Gift of Professor Walter M. and Nesta R. Spink
2013/2.568.1
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