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Results for artist:"Utagawa Kunisada (Toyokuni III)"

72 UMMA Objects (page 1/6)
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A man and a woman gaze at eachother at the center of this print. The woman’s hair is decorated with large pins, and she wears an elegant blue robe with white flowers. She holds a koto on her lap and a writing brush in her right hand. On the back of the koto are the characters go dai riki. The man holds a pipe in his hand and sits with his back against her legs. He wears a black robe with white hatches.<br /><br />
Inscriptions: Geisha Koman; Satsuma Gengobei; Toyokuni ga (Artist's signature); To, Asakusa, Namiki, Daitora han (Publisher's seal); aratame, tatsu 6 (Censor's seal)<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
New Satsuma Style Made to Order: Iwai Kumesaburō III as Geisha Koman and Kataoka Gadō II as Satsuma Gengobei
1856
Gift of Dr. James Hayes
2003/1.469

Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Unidentified actors as the brigand Ishikawa Goemon and the courtesan Gion no Oritsu
mid 1850s
Gift of Dr. James Hayes
2003/1.471
The man in the front wears a blue robe with brown stoles. He carries a red umbrella in both hands. Behind and above him are two men wearing blue stoles over black robes. Both men hold instruments.<br /><br />
This is a ccenter piece of a triptych (with 2003/1.473.1 and 2003/1.473.3).<br /><br />
Inscriptions: Magoemon; Toyokuni ga (Artist's siganture); hori take (Carver's seal); Kichi, Isekane (Publisher's seal); aratame, tora 9 (Censor's seals)<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
First Snowfall on the Lovers' Journey to His Hometown: Bandō Kōsaburō IV as Magoemon
1854
Gift of Dr. James Hayes
2003/1.473.2
This is a print of a man and a woman.  The woman wears a brown robe with white crests on the sleeves.  The man’s robe has bright pink and green flowers on the sleeve.  They are set against a dark plain background.<br />
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Inscriptions: Artist’s signature: Toyokuni ga; Publisher’s seal: To, Horiechō, Ebirin; Censor’s seal: Tori 11 aratame; Takebe Genzō, Kawarazaki Gonjūrō; Nyōbō Tonami, Azuma Ichizō
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Kawarazaki Gonjûrô as Takebe Genzô and Azuma Ichizô as his wife, Tonami
1862
Gift of Dr. James Hayes
2003/1.475

Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Unidentified actor in the role of the wife (Nyôbo) Otoku
1858
Gift of Dr. James Hayes
2003/1.481

Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Unidentified actors as Ôiso no Tora and Kewaizaka no Shôshô, in a Soga Brothers play (left 1/3 of triptych)
1861
Gift of Dr. James Hayes
2003/1.484.1
A portrait of a woman is encircled by a black frame decorated with gold crests. Pieces of fabric around the frame give the appearance of depth. The woman is dressed in layers of colourful robes with her hands clasped in front of her. Long pins decorate her black hair. Lines of calligraphy decorate the background along with cartouches and texture.<br /><br />
Inscriptions: Imayō oshi-e kagami (Title); Shōrindō (Publisher's seal); Toyokuni ga (Artist's signature); Hitsuji 9, aratame (Censors' seal)
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Mirrors for Collage Pictures in the Modern Style: Sawamura Tanosuke III as Shinzō Nakoso
1859
Gift of Dr. James Hayes
2003/1.488
A woman looks anxiously to her left while clutching the strings of her tall, orange hat (<em>eboshi</em>). She wears a multi-layered robe; the colorful cherry-blossom pattern on the dark outer robe is repeated in monochrome colors in the layers beneath.  Cherry blossoms frame the inscriptions on a solid blue background.<br /><br />
Inscriptions: Bun, Sasamata (Publisher's seal); saru 3 aratame (Censor's seal); Shirabyōshi Sakuragi; Toyokuni ga (Signature)
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Dōjō Temple (Dōjōji): Onoe Kikugorō IV as Shirabyōshi Dancer Sakuragi
1860
Gift of Mrs. Caroline I. Plumer for the James Marshall Plumer Collection
1980/2.210
A man stands hunched over with one hand drawn up to his chest. He holds onto a screen with his right hand. His head is covered by a blue cloth, and he wears several layers of robes, including a striped blue and brown robe, lighter blue sash, and a patterned coat with yellow crests. Behind him is a small window.<br /><br />
This is the left panel of a diptych (with 2008/2.424.2).<br /><br />
Inscriptions: Kameya Chūbei; Yushima yo (Publisher's seal); aratame, tora 9; (Censor's seal); Toyokuni ga (Artist's signature)
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
First Snowfall on the Lovers' Journey to His Hometown: Kataoka Gadō II as Kameya Chūbei
1854
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.424.1
A woman crouches, looking over her left shoulder. She wears a long patterned robe in disarray. In her right hand she carries a long gun. The wall behind her is painted with a plum tree. A recessed screen has a dark floral pattern on a light background.<br /><br />
This is the center panel of a triptych.<br /><br />
Inscriptions: Tsutaya, Kichizō (Publisher's seal); Fuku/Muramatsu (Censor's seals); Signature: Toyokuni ga; Sekijō (undeciphered)<br />
 
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Yoshitsune's Letter from Koshigoe: Bandō Shūka I as Gotobei's wife Sekijō
1849
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.425.2
A woman in a head wrap stands looking sideling at the viewer.  The bottom of a pole is visible to her right, and to her left is a litter with a cherry-blossom canopy.  Above her is a red paper lantern with the character “<em>ryō</em>”.<br /><br />
This is the center panel of a triptych.<br /><br />
Inscription: Hanmoto, Izutsuya (Publisher's seal); Tori [Rooster] 4 aratame (Censor's seals); Kinokuniya Shozan
Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Iris-colored Hatsuneya: Sawamura Tanosuke III as Kinokuniya Shozan
1861
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.192.2

Utagawa Kunisada (Toyokuni III) (Japanese (culture or style))
Memorial portrait of Ichikawa Danjûrô VIII
1854
Gift of Professor Walter M. and Nesta R. Spink
2002/2.359
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